Tag Archives: mobile photography

What can the new Huawei Mate 20 Pro do for your photography?

Nov
05
2018
by Brendan Ó Sé | Comments Off

When Leica Cameras put their name to Huawei’s smartphones you know you that the years of tradition, heritage and prestige that are synonymous with their brand is going to result in something special in terms of photography. The new Huawei Mate 20 Pro has a powerful camera on board, packing three rear lenses and an excellent front-facing one for all those selfies you want to get. I was lucky to have been invited by Huawei to London for the recent launch of their latest phone and when speaking to the Leica engineers about their involvement in the camera it was exciting to see how seriously a market-leader like Leica are taking mobile photography and how much they are pushing boundaries in this field. Earlier this year the Huawei Pro 20 got everyone talking about what the camera could do. The Mate 20 Pro builds on that and with its many new features and improvements takes what you can do with a smartphone camera even further.

Shandon, Cork

What is like to shoot with?

While making the most of the screen real estate, the Mate 20 Pro, is still comparatively small and fits quite nicely in the hand. The edge-to-edge screen does have its drawbacks in relation to using the phone as a camera. For me it is important to have a firm hold of the phone when shooting and to my frustration I found that because the screen display goes from edge to edge, I was inadvertently switching between settings and also the tap-to-focus feature was being activated in places I did not want it to be. As a result, I feel you would have to have some sort of a case (not a wallet-type one) to prevent this. I liked being able to separate the exposure and focus particularly when trying to control light situations.

Colours

I like the straight-out-of-camera results shown in the photographs here in this review. The colours are bright and vivid and level of detail you can achieve is impressive. The ability to separate your focus point and exposure is cool. Touch and hold and you can drag them apart. An exposure slider (sun icon) also appears and sliding up and down adjusts the brightness of your shot. I would like if you could lock in these for subsequent shots. I found it a pain to have to reset for the next shots in a series.

What are the stand-out features?

The Mate 20 Pro is feature rich. It can identify up to 1500 different scenarios and scenes. The night mode is impressive, but it does need a steady hand or better still a tripod. With a f1.8 main camera lens it can shoot very well in low light conditions. This shot of Rearden’s pub in Cork shows how the night mode works. The shutter is open for a full 4 seconds allowing as much light in as possible. This works great if you do not have moving objects in your frame like the shot of Cork’s St. Finbarre’s Cathedral below, but as you can see with the bus in the shot of Rearden’s pub you are not going to get it tack sharp, but still this does allow you get some nice motion blur shots. 

Rearden’s Bar, Cork

Saint Finbarre’s Cathedral, Cork

Using the standard camera in normal mode gets great results in low light and if there is any movement in your frame, you will avoid the blurring of the subjects. I love the neon colours here in this shot of a lane in Cork city.

Cork

Having three lenses at your disposal is very cool. With the Huawei Mate 20 Pro you have a 40MP f/1.8 main camera lens, an 8mp telephoto f/2.4 which lets you shoot at a 3X optical zoom (with image stabilisation) and there is then, my favourite on this phone – the ultra-wide angle lens. This has a 16mm focal length and it is impressive in how much of a scene it can capture.

Ultra-wide

One thing I would like to be able to do is shoot on the highest resolution of 40mp without having to change it in settings. If you want to switch between the other lenses on the device you can only shoot at 10mp, otherwise at 4omp you are working with the main lens only and need to get into settings to switch back to having access to the other two lenses.

I loved the burst mode in and was truly blown away by how sharp each individual image was. I am a big fan of burst mode and have used it regularly in my street photography as I try to capture that fleeting moment. In review of the images I was delighted to see that I had not missed anything and that each shot was in focus.

burst

For portraits, it does a good job and will give you that blurred-out-bokeh look that so many photographers crave. I would like if it could be used for other things besides people. For now, it will only work when it detects a face.

Portrait

If you want to take full control of the settings of the camera, the Pro Mode is where you can really maximise the potential of the camera and its various lenses. For me, I feel too much is made of shooting fully manually. I like to set and forget. Technology nowadays has come on so much in recent years, that I find the camera can make the correct calculations most of the time. But if you are old school and want to be master of the machine, Pro Mode will not disappoint.

Unsurprisingly the video capabilities are top class on the Mate 20 Pro. Again it is packed with features. I loved the ability to blur out your background and the All Colour feature will detect a skeleton (yes, that is right – the skeletal structure of a human is detected) keep that in colour and convert everything else to black and white. This has the wow factor!

One of the things I do not like is the beautify feature. As a father of young kids I feel there is enough pressure on them without making them think they need to apply a feature like this to make themselves look presentable in photos. In saying that, at beautify 10 I am looking good! Another feature they are introducing is a calorie counter. Yes, a calorie counter. Point your camera at a food item and it will recognise it and tell you how many calories it has.

All in all, the Huawei Mate 20 Pro is a great phone. I am sure on other reviews of the device you have learnt of its reverse charging, its high speed charging and its long-life battery. All of these are very important factors for those who like to use their phones as their cameras. Photography continues to be in an exciting place in technology and with the Huawei Mate 20 Pro, Leica and Huawei are pushing boundaries.

More colours

Cork

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June 10 Limerick versus Waterford

Jun
12
2018
by Brendan Ó Sé | Comments Off

 

Derek McGrath trying to get the ref’s attention

June 10th and Waterford are out of the All-Ireland championship. Same day and many people’s favourites Tipperary are also gone. It is a long summer ahead with no hurling for these two counties. In Limerick yesterday, Waterford looked tired. Their snappy hurling that had Tipperary on the ropes the previous Sunday was missing. Passes went astray, shots wide and Limerick seemed to harry them with ease as they moved into a commanding lead early in the game. It was a lead they never looked likely to lose. Their play, in contrast, was sharp. They took their scoring chances well. When opportunities for goals came early in the first half, Gearoid Hegarty and Graeme Mulcahy took them. By half-time they were 2-14 to 0-7 up. It was too much to ask of Waterford to mount a comeback in the second half, and Limerick ran out comfrotable winners racking up 2-26 to Waterford’s 1-16. Limerick were impressive, powerful and precise. In the other game, Clare sprang a surprise and a late comeback to put Tipp to the sword. The game turned when Jake Morris’ attempt on goal hit the post. The ball broke and Clare were swiftly up the field and a Podge Collin’s pass set Ian Galvin on his way to score a fine goal. Had Morris’ shot gone an inch to the right, Clare would have been 7 points down. Instead, their goal brought them to within a point of Tipp. Tipp replied with a point, but Clare drove on in the final minutes to grab the game from Tipp and end their summer on June 10th.

Limerick’s Kyle Hayes pops over a point

Outside Limerick station I met Liam and Pat Phelan. Liam was sporting a blue and white mohican, which his son told him he had on sideways and carrying an oak tree sapling in his hand. “What’s going on with that? I asked. “Oh, that’s to bring good luck. Mighty oaks from little acorns grow.” Well, ye could have done with that luck last week, I said.

Liam and Pat Phelan and their lucky charm

The Ennis Road is a long, wide and straight road leading up to the Gaelic Grounds stadium. In contrast to last week there large groups of fans making their way to the match. Few people seem to be leisurely in their approach and asking people to stop for photographs and a chat about hurling can be challenging, particularly as when a group stops it invariably causes a hindrance to those following. The Murphy family, with Elle Fox, were obliging and stopped for a quick group photo. So, a big Up Waterford so, I said to the kids. No! They shouted back. OK. How about an Up Cork. A bigger and louder No! came back.

The Murphy family with Elle Fox (front left)

Jimmy Finn and his friend Bowie were sitting on a wall outside the pub on Ennis Road having a drink before the game. I got chatting to them. “I’m chasing Liam McCarthy all my life. I go to all the games. I thought last year was the one, but no. But we will keep on going, said Jimmy. It’s a lifetime dream. 

Jimmy Finn and his buddy Bowie

“We’re big Johnny Logan fans“, said John Crotty. “What do you mean? I asked. “Well,  If we don’t do this year, we’ll do it next year. So what’s another year.”

Stephen O Brien Mike Meaney, John Hannan and John Crotty.

Four children born in Cork, but only Bill supports the rebels. His brother James and two sisters all support Waterford. “He brainwashed us. We were given no choice.” said James. We were born in Cork, but we have to support Waterford.“ Cork are too cocky, said Noel, the father. So, next week against Cork you will be on your own, I said to Bill. Ya, all on my own.  Don’t worry, I said, I’ll be with ya, Bill! 

Noel Sheehan and sons James and Bill

Great thing about the GAA is how freely the fans mix at the games. I had met Paddy Phelan’s family at the Tipp Waterford match the previous week. Here he was talking hurling with Limerick fan John McGrath. Pat Phelan  was at the All-Ireland hurling final in 1959 when Waterford best Kilkenny. “It’s been a lifetime since.” he said.

On my way into the stadium on Sunday I saw the Phelan sisters all dressed up in Waterford colours. Deirdre, Rhona and Helen. Rhona is the only one still living in Waterford. “We’re the three sisters for the 3 ships on the Waterford crest.”, Deirdre told me. The three sisters have been going to the games together for years. Their earliest memory was when Rhona was at a Waterford Cork match and was knocked off her seat when Cork scored a goal.

Deirdre, Rhona and Helen Phelan

It was a pleasure to spend a few minutes talking with Michael Shanahan. Michael’s father was a Tipperary man and his mother a Limerick woman.“What was the house like when either Tipp or Limerick lost to each other when you were growing up? I asked. “It could be a bit sour for a few days. ”On July 7, Michael is getting married to a Tipperary woman. “This is the 94 and 96 jersey.” My wife-to-be has her Tipp jersey from the same time.”  “I’m lucky Limerick beat Tipp before the wedding.”

Michael Shanahan

Eamon Riall bringing these young Limerick fans, Clodagh and Daithí Riall to their second Munster Championship match. “They haven’t seen them lose yet.” Eamon said.

Eamon Riall and his two kids, Clodagh and Daithí

Cyril and Justine Kelly, a Canadian, bringing their 10-week baby boy, Beau, to his first Munster Hurling Championship match. “It’s important for him to know about his Irish heritage. His culture. His traditions.”“But he won’t remember it”, I said. “We will tell him of it.”

Cyril and Justine with baby Beau

And so this wonderful summer of hurling continues. Next weekend I am up in Ennis to see Clare take on Limerick. There are lots of permutations as to who can qualify for the July 1st Munster Final. Cork, Clare and Limerick all know a win will put them there. Cannot see any side settle for anything else.

Limerick fans celebrate a goal

 

Posted in Brendan Ó Sé. Brendan Ó Sé photography, GAA, To the heart of hurling Also tagged , , , , , , , , , , , , , , , , , |

Limited print sale

Apr
26
2018
by Brendan Ó Sé | Comments Off

I am doing a once-off limited edition print of the following photographs. All prints are signed, numbered and certified. Printed professionally using the best museum quality archival papers and inks.

Shipping worldwide.

These images have not been offered before. If interested, please contact me.

Photographic Punctuation

Perpetual Endeavour

The Unbeckoned

 

The pip-pop life span of worries

My Tokyo

My Tokyo

Posted in Brendan Ó Sé. Brendan Ó Sé photography Also tagged , , , , , , , , , , , , , , |

Why do you need a second Instagram account

Jan
02
2018
by Brendan Ó Sé | Comments Off

That’s a question I am asked a lot: Why do I need a second Instagram account?

Truth be told I don’t need one and I probably would be better off just focussing on building my main account. Addition is dilution, as they say. That is true. So, why do it then? Well, I shoot a lot of photos. So much gets my visual interest and over time I build up a lot of photographs which lead a lonely existence in the depths of my camera roll. Back in May of 2016 I decided to create another Instagram account and just post photos there that did not feature people. My thinking was that my main account is primarily for street photography shots with the human element. The second account would let me showcase images that just might not ever see the light of day otherwise. I hate rules, but I do apply just one rule to this account: no people.

So, arriving to January, 1st, 2018, I have decided to look back and choose 12 favourites from that stream. An algorithm chose my best nine, but honestly what the f*** does an algorithm know about photography? A bloody lot judging by the success of platforms like Instagram!

Anyway, here goes in selecting 12 photos from my second Instagram account. I am not going to do this like I did when selecting my fave 12 from the main Instagram account – when I chose one photo from each month. This time, I am going to make it easy for myself and just choose 12. (a little side note – I am trying to get this done in the next hour or so – otherwise it will not get done – actually took me over 90 mins)

I hit the streets of Hong Kong wanting to capture street life and character. I had my camera ready for action. My head was on a swivel seeking out that scene. Then I stopped. Perched myself against a yellow facade and shot the passing traffic.

Hong Kong

Korea

When we are in Korea, one of the things we enjoy most is walking to the river near my wife’s parents’ house. The kids love to play in the water. It is a short walk; takes about 5 minutes or so. Over the years I have shot so many photographs and videos of them playing in the water and also so many shots of things I see en route. This one here is an example of the things you can see on the way. I look at it, the kids look at it, they look at me, they look at one another, and then they run on. The river is waiting.

People love it when I tell them that these are coffee pods. I found these in Brown Thomas in Cork when I was in there with my wife one day. I had to ask the store assistant to step out of the way to let me get the shot. When I showed her the shot she said: “Wow, I see that every day, but I have never seen it like this. That’s fabulous.” That made my day.Cork

Tokyo

Tokyo sees a lot of rain. Hit that up with neon and you get some beautiful reflections. This shot was shot using portrait mode to defocus and accentuate the colours. I edited in RNI Films (if you haven’t got that app, you are missing out. Go get it!)

Bangkok is hectic. An assault on the senses. I love the place. So much going on and the people are just the most photo-friendly you can meet. It can be hard to get a shot that gives the sense of activity without having people visible in it. I think this goes towards it.

Bangkok

Korea

I think the reason I like to shoot abstract images when I am out photographing is because there is control in this. It is not like street photography where, as the saying goes, if you see it, it is too late. There is a comfort in finding scenes which are to a degree permanent, ones you can take time with. Ones you can even manipulate. This shot is from Daegu, South Korea. I was wandering around the city frustrated that killer moments were not happening for me. They rarely do. One way to deal with this to seek out photographic constructions. This scene, while appearing calm, screamed at me.

I was asked once in an interview if I ever had a lightbulb moment and it annoyed me. Annoyed me because to begin with I could not recall any and then annoyed even more when I realised how unfortunate that is. A light bulb moment is by nature an abrupt clout of clarity which shakes you from your trodden and dour path. Why didn’t I ever have one? I want one now, I thought. But you can’t will these no matter how you try. But you know now that I am in the process of reviewing my images and wondering what I saw when I took a shot, I begin to think about a moment when an ex-girlfriend of mine spoke to me about seeing colour. I was about 20 years old and I was bored listening to her. She knew this. But she also knew I was not seeing colour. No, she said, you don’t, you don’t see colour, you see colours, but you don’t see colour. This confused me, but by now I was listening to her; no longer bored. Colours, colour, what’s the difference? She continued to tell me, but what she was saying continued to confuse me until I began to try to see it for myself. And then I did, I began to see colour like I had not before.  No matter how I try to explain this I can’t. I am not going to even try. Perhaps the easiest way to achieve this is just by trying to see colour. It is the same with shapes and lines and layers and distortions. They are all there. You just need to train your eye to see them. This photo below is an example of this.

Cork

This photo I love because it is simple and was such an easy shot to get. I like it because when I look at it, I leave it and I am back in Bali. The sky is clear of clouds and the sea is pristine.

Bali

Copenhagen

One of the hardest things I find in photography is to immerse yourself in the scene and to become part of what you are seeing. To allow the viewer feel what you might have been feeling. So often I fail in this. This image here is of a staircase as seen from above. Using a zoom burst I wanted to give the sense of vertigo I was feeling looking over it. I have a dreadful fear of heights.

Vietnam

I obsessed with the future. I struggle so much with optimism. It is like I am on a trampoline. Each time I am vaulted skyward I panic. Enveloping pessimism consumes me. I fear there is nothing under me to cushion my fall. Yet, each time I hit that trampoline optimism is injected and I believe again. What does this have to do with photography? Leading lines, vanishing points, all leading to the future. I stop to examine and caution floods in. But it excites me too. Commit to the future…

Cork

Cork

Trees. They need to cheer the fuck up, you know. Every photographer goes through a phase of shooting trees. They are easy. Stuck there in the ground, unable to make you question the reason why you are photographing them. Snap, snap, snap, they can do nothing. No response. Nothing. Move on to the next tree.

I teach my students how to write. One of the pieces of advice I give them is: Let your ideas control your writing; not your writing controlling your ideas. What does this mean? Well, this blog piece is an example of my writing controlling my ideas. Before I began this piece I had no idea what images I would choose, not to mind what order I might present them in. I even began by telling you that this second account is for photos with no people in them, and now here I am getting to the end of the piece and putting in a photograph with myself in it. I can offer excuses, but they would be pathetic ones like telling you this is my blog and I make the rules. Then, to compound things, I realise this shot is the one I should have used when I was talking about lightbulb moments. Too late. I just could not be arsed going back and reorganising. It’s done!

Anyway, I am choosing this as my last favourite of 2017 from my second Instagram account. Why? Because all my photographs are all about me. I may not be in them, but if you look you will find me. In all of them. Every single one. Even this one.

Not the lightbulb moment shot

Kiss the future….
Posted in Best of year, iPhone, iPhone photography, My own favourite photographs, photograph posts, Travel Also tagged , , , , , , , , , , , , , , , |

Favourite 2017 Shot on iPhone Photographs

Dec
31
2017
by Brendan Ó Sé | Comments Off

OK – I have tried to start this so many times in the recent weeks and each time I tell myself I will get it done tomorrow, knowing full well that I will wait until the last moment and then rush it through. But hey – once I get it done, ya?

Choosing my 12 favourite photos was so easy before. All I needed to do was head over to Flickr and see what photos I posted in each month of the year and from that choose a favourite shot. Not so anymore. This year I posted virtually nothing to Flickr until September, so for the first time ever this end-of-year-review is being done via Instagram. Here are my Instagram stats for the year: I posted 272 photos to my main account and 186 photos to my second account (the one I keep for shots without people in them). That is a lot of images, but then I travelled and shot a lot in 2017.

I could do the easy thing and allow an algorithm decide what my best 9 photos were, but you know, they weren’t. You can see them if you wish here and here. I prefer to spend some time with the images, recall where I was, what I was doing and how it felt. That is why we create images, no? To make memories. So here are my 12 favourite shot on iPhone photographs posted to my main Instagram account in 2017.

So, January took me to Iceland for the first time. Stumbled across this artist’s house on the seafront. The sun was setting and it was freezing.

Reykjavik (Shot on iPhone 7 Plus)

February and I was on my way to Cyprus to open the exhibition for the Mobile Photography Awards in Limassol. I guess it was here that I began to change my approach to street photography. Not sure why or how, but I began to engage more with people on the street as I shot their portraits. Much like candid photography, people’s first reaction when you ask can you take their photo is one of curiosity. What is it that I can see about them that makes me want to photograph them? Self-consciousness smothers that initial curiosity and the task then is to engage with them to get them to relax. I tend to tell people about myself, revealing myself a little, as I shoot. I ask them questions. I am polite and respectful. I shoot a lot in these moments.

This guy here had no English. I smiled a lot. He stared at me. He smiled when I showed him the photo.

February: Limassol (shot on iPhone)

March was a month at home and not a lot of shooting, bar the Holi Festival in my university, so I was posting shots from previous trips. This one of a bus driver in Seoul I love. I remember knowing that I would stop to shoot it when I was waiting for the green man to appear. I just love shooting into glass and the layered distortion the reflections create.

March: Seoul

April was a full on month for me. I was in Korea and Japan with work and then home for a few days before heading back out to Thailand for the most amazing experience of Monogram Asia’s first 8 x 8 Street Photography Conference. Another highlight of April was the being out on the streets of Cork for the 24-Hour Project with great people. Choosing an image I shot in the month of April is damn hard, but it is not so hard to choose one I posted in that month. Photography is all about memories and connections. My favourite for April is this one shot on the 24-hour Project in late night Cork. May not be my best photo in April, but it is the one which makes me think of the absolute craic I had with Tim, Dee, Judie and Jonathon. 

April: Cork. 24-hour project

And on to May and really there can only be one shot for May. I have written quite a bit about how I began to shoot more asked-for-portraits and how much I began to enjoy it. This one was shot in Bangkok on a very hot morning on a photo walk with Sheldon Serkin and Renzo Grande. Here’s the thing. Once I got the shot I knew it was a good one, but I did not know whether it was better in the original colour or to convert it to black and white. Shel and Renzo thought it was a no-brainer – black and white all the way. I still have a thing for it in colour. What do you think?

May: Bangkok

June: In April in Seoul I stayed in Myeondong. It is probably the busiest shopping district in Seoul and with that comes much activity; perfect for street shooting. My maxim about photography is: Trying to see what can be seen and how to see it. This shot is an example of this. The bright neon lights, the taxis, the taxi drivers. Bringing them all into one frame was not easy. Shooting it on an iPhone at night even more difficult, but I love the result.

June: Seoul

July brought me to back on my travels, back to Hong Kong and then on to Korea again. I shot a lot in this time, but did not post in July. I did share this photo on Instagram though – a photo from Yoyogi Park in Tokyo. A photo which is part of my Rehearsing for a date series of images of people alone in locations where you might commonly find dating couples.

July: Tokyo

August and I am on the beach in Busan stopping people asking if I can take their photo (and they not getting upset that I did not ask if I could make their portrait). Honestly, this is something I felt I would never have been comfortable doing, but now I cannot imagine not doing it. There is something so wonderful about it. I made some really great connections this year shooting portraits. This guy was great fun. He took delight in telling me he knew Conor Mcgregor when I told him I was Irish. Honestly? Conor McGregor?

August: Busan

In Bali, I had Bali’s best motorcyclist as my guide, but I sadly proved to be Bali’s worst motorcycle passenger in this time. I loved Bali. Big thanks to my buddy Gathoe for showing me around Bali on his bike and for bringing me to the kite festival on that first day I was there. I skipped off the beaten bath a little to find these kids playing football.

September: Bali

I tend not to post photos of my kids. This is just a personal thing for me. Probably am too protective of their privacy. But this is one of my little boy that I love. No great timing here to get the decisive moment; no just finger kept on the shutter to shoot in burst mode and then to later select that decisive moment. My little HCB shot.

October: James

November is a bit hard for me. I am torn between this, this and this, but have decided to choose this one in the end. The edited image is a little distant from the original, but I knew that in taking it I would be able to go on many creative routes with the photo.

November: Seoul

And this brings us to the end of a year of shot on iPhone photographs. Life is difficult when there is choice and truly I could have gone in so many different directions with these selections. In the end I opted for all colour, could just have easily gone all black and white as I love many of the photos I shot in black and white this year, particularly when shooting with Provoke.

So, here is it – the final image to make up my 12 favourite shot on iPhone photographs from 2017. A photograph shot in Dublin, and one which is part of my This gap between us will be filled with love or loss series.

December: Dublin

Thanks to all for your kind support throughout 2017.

Here’s to 2018 and the unexpected, the unimagined it will bring.

 

Posted in A Flickr Year, Best of year, iPhone, iPhone photography, James, Summer 2017, Travel Also tagged , , , , , , , , , , , , , , , |

February favourites

Dec
20
2017
by Brendan Ó Sé | Comments Off

February and photography and finding favourites. Ya, why not?

Cyprus. I had never been before. My good buddy Dan Berman asked me to go to represent him and the Mobile Photography Awards in the opening of the exhibition in Limassol.

This was nice. Some sunshine, some good food and the chance to hit the streets of Limassol and make some frames.

I guess it was here that I began to change my approach to street photography. Not sure why or how, but I began to engage more with people on the street as I shot their portraits. Much like candid photography, people’s first reaction when you ask can you take their photo is one of curiosity. What is it that I can see about them that makes me want to photograph them? Self-consciousness smothers that initial curiosity and the task then is to engage with them to get them to relax. I tend to tell people about myself, revealing myself a little, as I shoot. I ask them questions. I am polite and respectful. I shoot a lot in these moments.

This guy here had no English. I smiled a lot. He stared at me. He smiled when I showed him the photo.

Limassol (shot on iPhone)

Truth is that in the month of February this year I did not shoot anything that was not on the iPhone. My real cameras lived an unloved life in a dark drawer. So, I need to go and choose a shot which I posted to Flickr in February, but one which was taken in Delhi the previous July. Is that allowed? Of course it is. This is my blog. I can do whatever I want. (insert smiley face)

This shot is in some way similar to the one above from Cyprus. Neither of the two characters in the frame could speak English and neither seemed too bothered that I wanted to photograph them. I like that the guy on the left posed for me and the guy on the right didn’t. The funny thing is that when I showed them the shot, the guy on the right reacted more excitedly than the other.

Delhi (Fuji X100T)

Delhi (Fuji X100T)

March coming up. Check out January here.

Posted in A Flickr Year, iPhone, iPhone photography, Street Photography, Travel Also tagged , , , , , , , , , , , , , , , |

My talk at ZafigoX

Oct
17
2017
by Brendan Ó Sé | Comments Off

It was quite the honour to be the only male speaker invited to talk at ZafigoX Travel Conference for Women in Penang Malaysia in August.

The premise of the talk was based around two wonderful ideas. The first from Benjamin Disraeli who said: “Like all great travellers, I have seen more than I remember, and remember more than I have seen.”

And the second from a conversation I had in the car with my daughter when she was just three years old: Where do yesterdays go, Daddy? I don’t know, lovey, Where do they go? I know, Daddy, they go into photographs.” The beauty of this idea has stayed with me ever since.

I will let you enjoy the talk.

Posted in Brendan Ó Sé. Brendan Ó Sé photography, iPhone, Photo Talks, Travel Also tagged , , , , , , , , , , |

Daegu

Oct
05
2017
by Brendan Ó Sé | Comments Off

Daegu? Where’s that? South Korea.

It’s Korea’s third biggest city and also known as the oven of Korea as when it is hot in Korea, it is hotter in Daegu. It is a colourful city and Korea’s quirkiness is very much in evidence. It has good restaurants and like most places in Korea it has an an abundance of cafes and food stalls.

Daegu (shot on iPhone)

I love shooting in Daegu. I have this series of images going on of elderly gentlemen in Daegu. I just find them to be so cool. They are snappy dressers and ooze class and attitude. These guys have lived through a lot. I imagine a lot of these men might have seen active service in the Korean war. I love how some of them shout – “Hey, buddy!” or some other American-style greeting to me when they see me. I wish our exchange could extend beyond this and allow me to get to know them a little more.

Daegu (Shot on iPhone)

Daegu (Shot on iPhone)

Young Koreans have their own style. Put one young Korean guy in a room of other Asians and the Korean will stand out. Their fashion style can be unique and geeky. Got to admire that.

Daegu (Shot on iPhone)

Another series of images I have going on from Korea is one focussing on couple culture. I am always struck at how many couples you encounter on the streets in Korea. Very often they will be sporting a ‘couple look’ where both will be dressed in identical clothes. These two are cooler than that though.

Daegu (Shot on iPhone)

As I said – it gets hot in Daegu and Koreans will do everything to keep themselves protected from the sun. Just wait until you see the beach fashion when I do my blog post from Busan. This guy was cool. He just loved getting his photo taken. His reaction when he saw his image was just too cool.

Daegu (Shot on iPhone)

Cafe culture in Korea is big. There are just so many cafes and while the coffee is good, it sure is not cheap. Anyway, the big glass fronts of these cafes make for good photo opportunities.

Daegu (Shot on iPhone)

Daegu (Shot on iPhone)

Daegu (Shot on iPhone)

My shooting style changed over the past 12 months. Now, I really enjoy engaging with people on the street. This guy just could not understand what I wanted to do when I asked if I could take his photo. He kept reaching for my phone – thinking I wanted him to take my photo. It was a little battle to get him not to hide the cigarette also. Ya, smoking kills, but they look good in photos.

Daegu (Shot on iPhone)

Recently read an article about street photography cliches. This shot below fell into the category. But hey, I cliche, you cliche, we all cliche.

Daegu (Shot on iPhone)

And leaving Daegu…

Daegu (Shot on iPhone)

Next up is Busan. Korea’s second city. Expect lots of beach shots!

Posted in Brendan Ó Sé. Brendan Ó Sé photography, iPhone, iPhone photography, Street Photography, Summer 2017, Travel Also tagged , , , , , , , , , , , |

Mira Mobile Prize Competition

Sep
02
2017
by Brendan Ó Sé | Comments Off

Mira Mobile Prize Competition. What is that about?

What are the entry requirements? This competition is for black and white street photography shot on mobile devices.

How many shots can you enter? 3

When is the deadline? September 12th.

What’s the prize? A week in the beautiful city of Porto.

I am really excited to be on the jury for this competition.

Get your entries in. It is free!

Click here to enter. 

Mira Mobile Prize

 

Posted in Brendan Ó Sé. Brendan Ó Sé photography, iPhone Also tagged , , , , , , , |

Today at Apple

Aug
25
2017
by Brendan Ó Sé | Comments Off

Today at Apple. Well, last Saturday at Apple in their brand new Singapore store on Orchard Road for a photo talk and walk. It was great fun.

I got into Singapore on Friday morning and after a quick meeting with Apple staff, where I was told that the talk had reached maximum occupancy in 24 hours, my good friend Arik Chan – whose photos populate this post – and I hit the streets to scout for good photo opportunities.

Now in a big city on a busy Friday evening of course you are going to find them. I was looking for shots which could guide the participants the following day when we headed out as a group.

I have been on a new photographic path since I began to shoot in Portrait Mode. Why? Two reasons: 1. It slows me down – which is always a good thing to help you improve. And 2: it means I get to engage with people on the street. I get to talk to them as I shoot.

Singaporeans are a friendly bunch. Here are some of the portraits I shot.

iPhone Portrait Mode: Singapore

iPhone Portrait Mode: Singapore

iPhone Portrait Mode: Singapore

We had been worried that the weather might not be kind to us. The talk was scheduled was 5 p.m. At 3 p.m on our way to the store it was lashing, but I had a feeling this would not last.

The structure of the talk was to give a background to myself and my work and to guide and inspire them as to the type of shots we could get on the one-hour photo walk.

Here we go Reviewing some of my favourite photos Some of the participants

I love photo walks. Everyone walks the same route, passes the same things, but sees things so differently I am always amazed at the shots participants bring back; very often shots I wish I had gotten myself.

Shooting

With a group of 50 people it is not easy to give individual attention to each person. So with the help of some Apple staff we broke up into 3 groups and I spent 20 minutes with each.

Look up

It was a blast. Particularly seeing people putting what they had learnt into immediate practice.

Putting Olloclip into action

When we eventually got back to the Apple Store for a 30 minute review of each other’s shots I found myself exclaiming – “Wow!” – many’s the time. If you check the hashtag #todayatapple you can find some of their shots.

Reviewing photographs

I got to thank Monogramasia for their continuing support in all I do. Means a lot! Thanks to Olloclip also – really appreciate the backing. To Apple’s excellent staff in Singapore and of course, to the wonderful people who came to the event and made it such a fun experience for me.

With some of the participants

And last, but not least, to Arik Chan for these great photos of the event. Check Arik’s work here and here.

With my good friend, Arik Chan

Until the next time, Singapore…

Posted in Brendan Ó Sé. Brendan Ó Sé photography, Street Photography, Workshops Also tagged , , , , , , , , , , , |