Tag Archives: photography

Mira Mobile Prize Competition

Mira Mobile Prize Competition. What is that about?

What are the entry requirements? This competition is for black and white street photography shot on mobile devices.

How many shots can you enter? 3

When is the deadline? September 12th.

What’s the prize? A week in the beautiful city of Porto.

I am really excited to be on the jury for this competition.

Get your entries in. It is free!

Click here to enter. 

Mira Mobile Prize

 

Posted in Brendan Ó Sé. Brendan Ó Sé photography, iPhone Also tagged , , , , , , , |

Today at Apple

Today at Apple. Well, last Saturday at Apple in their brand new Singapore store on Orchard Road for a photo talk and walk. It was great fun.

I got into Singapore on Friday morning and after a quick meeting with Apple staff, where I was told that the talk had reached maximum occupancy in 24 hours, my good friend Arik Chan – whose photos populate this post – and I hit the streets to scout for good photo opportunities.

Now in a big city on a busy Friday evening of course you are going to find them. I was looking for shots which could guide the participants the following day when we headed out as a group.

I have been on a new photographic path since I began to shoot in Portrait Mode. Why? Two reasons: 1. It slows me down – which is always a good thing to help you improve. And 2: it means I get to engage with people on the street. I get to talk to them as I shoot.

Singaporeans are a friendly bunch. Here are some of the portraits I shot.

iPhone Portrait Mode: Singapore

iPhone Portrait Mode: Singapore

iPhone Portrait Mode: Singapore

We had been worried that the weather might not be kind to us. The talk was scheduled was 5 p.m. At 3 p.m on our way to the store it was lashing, but I had a feeling this would not last.

The structure of the talk was to give a background to myself and my work and to guide and inspire them as to the type of shots we could get on the one-hour photo walk.

Here we go Reviewing some of my favourite photos Some of the participants

I love photo walks. Everyone walks the same route, passes the same things, but sees things so differently I am always amazed at the shots participants bring back; very often shots I wish I had gotten myself.

Shooting

With a group of 50 people it is not easy to give individual attention to each person. So with the help of some Apple staff we broke up into 3 groups and I spent 20 minutes with each.

Look up

It was a blast. Particularly seeing people putting what they had learnt into immediate practice.

Putting Olloclip into action

When we eventually got back to the Apple Store for a 30 minute review of each other’s shots I found myself exclaiming – “Wow!” – many’s the time. If you check the hashtag #todayatapple you can find some of their shots.

Reviewing photographs

I got to thank Monogramasia for their continuing support in all I do. Means a lot! Thanks to Olloclip also – really appreciate the backing. To Apple’s excellent staff in Singapore and of course, to the wonderful people who came to the event and made it such a fun experience for me.

With some of the participants

And last, but not least, to Arik Chan for these great photos of the event. Check Arik’s work here and here.

With my good friend, Arik Chan

Until the next time, Singapore…

Posted in Brendan Ó Sé. Brendan Ó Sé photography, Street Photography, Workshops Also tagged , , , , , , , , , , , |

Mobile Photography Workshop in Hong Kong

I am very excited to announce a Mobile Photography Workshop in Hong Kong in conjunction with the Maritime Museum on Saturday, August 26th from 1 to 5 p.m. You can register for it here.

Hong Kong is one of my favourite cities and I have loved shooting there over the years.

Mobile Photography Workshop – Maritime Museum – Hong Kong – August, 26th

Hong Kong street life is electric, be it during the day or at night. Such a wonderfully vibrant location. Here are a selection of my favourite photographs from Hong Kong over the years.

Hong Kong

Hong Kong

Hong Kong

Hong Kong

Hong Kong

Hong Kong

Hong Kong

Hong Kong

You can register for it here.

Look forward to seeing you on the 26th August.

Posted in Brendan Ó Sé. Brendan Ó Sé photography, iPhone, iPhone photography, Workshops Also tagged , , , , , , , , , , , , |

Cork versus Kerry

I won’t get into the match. The less said about it, the better. Suffice to say the little boy in me who dreamed of Cork beating Kerry in Fitzgerald’s Stadium yesterday left the stadium with about 10 minutes still to go in the game as Kerry strolled past an awful Cork team.

But winning isn’t everything as they say. Usually they say this only when you lose. I never say it when we win. But, no, yesterday was about being with friends, catching up. I drove down with a good friend who was home from Australia and who wanted to bring his two kids to their first Munster Final. It was great just to be with them.
Down in Killarney I met up with Tim Bingham and we shot the streets for about an hour before the game began.

Thirsty supporters need their beer. (shot on iPhone 7)

Two confident Kerrymen. (shot on iPhone 7)

(shot on iPhone 7)

Two Kerry lassies. (shot on iPhone 7)

An always-confident Cork fan. (shot on iPhone 7)

A cheerful Cork fan. (shot on iPhone 7)

A barber’s delight. (shot on iPhone 7)

Another delight for a barber. (shot on iPhone 7)

A Kerry fan. (shot on iPhone 7)

A Kerry lassie. (shot on iPhone 7)

Beautiful red hair. (shot on iPhone 7)

Making memories. (shot on iPhone 7)

Some of the crowd. (shot on iPhone 7)

Careful now! (Shot on iPhone 7plus)

That is a big plaster. (shot on iPhone 7 plus)

The lads. (shot on iPhone 7plus)

Shot on iPhone 7plus

An 99. (Shot on iPhone 7 plus)

Some pre-match entertainment (shot on iPhone 7plus)

Some food before throw-off. (Shot on iPhone 7 plus)

A family day out. (shot on iPhone 7 plus)

Game on! (shot on iPhone 7plus)

All to play for. (shot on iPhone 7plus)

The crowd. (Shot on iPhone 7plus)

Kerry lording it over Cork. (Shot on iPhone 7Plus)

 

Posted in Brendan Ó Sé. Brendan Ó Sé photography, GAA, iPhone, iPhone photography, Street Photography Also tagged , , , , , , , , , , , , , , |

Make or take a photo

Can I take your photo? Can I make your photo?

 

Jakarta. April 2016. Shot on iPhone 6s

There is that debate in photography about whether you take or make a photo. I think far too much is made of it to be honest.

Basically the idea is that if you make a photograph you are inclusive of those being photographed in the process, and with them, you as the photographer adds something to the scene.

The idea of taking a photo is that you are extracting something; perhaps not inclusive of those being shot. I understand the ideas and agree with them.

But coming from a language-teaching background, I feel much is overlooked in this dynamic.

The first thing is collocation. What it that? That is commonly-occurring word partners. Example: take and photo most frequently go together. This means that the vast majority of people use this phrase when talking about photography. And from that the expression make a photo can be a little jarring for them when they hear it. It just does not sound natural. 

The second thing is requests like Can I take your photo? are so much more well received if accompanied by a smile and if you can display honesty when you make eye contact. Who cares if your phrasing is make or take a photo if you look like a prick who just wants to exploit someone.

Jakarta. April 2016. Shot on iPhone 6s

This brings back to my winning photo in the recent iPhone Photography Awards and its subsequent media appearances all over the world as the press features the winning photographs of the competition. I was fortunate to have an interpreter with me that morning when I wanted to photograph the man’s hands and feet, but still I believe that despite the language barrier I could have connected and communicated with my subject through body language, smiles, a tilt and a nod of the head and eye contact.

But the curious thing is that with this win and the subsequent media attention I cannot help thinking about the guy whose hands I photographed.

Those hands tell a story; one of hard labour. The photograph also tells another story; one of privilege and good fortune. Of someone who has time and the means to travel and to get excited about the dirt encrusted on a labourer’s hands in a, to-him, exotic part of the world.

Jakarta. April 2016. Shot on iPhone 6s

So did I make or take this portrait? If I made it, what did I add?

I recall when I showed him the photographs I had shot, he nodded, raised an eyebrow to me and nodded acknowledgement again. I thanked him and his co-workers with my limited Indonesian. My friend Elife gave the workers some cigarettes and we left.

I would love to be able to give something back to this man. I cannot imagine him being interested in a print of his hands. Vanity is not something I would associate with him. But what to do? The time has passed and I doubt I could ever locate him.

Jakarta. April 2016. Shot on iPhone 6s

Kiss the future…

Posted in Brendan Ó Sé. Brendan Ó Sé photography, iPhone 6s, iPhone 6s portraits, photograph posts, Street Photography, Travel Also tagged , , , , , , , , , , , , , , |

Photography and mindfulness

Mindfulness.

Edinburgh: 2010 (Nikon D40)

Seems like we are missing out if we cannot tune out. We are always on.

I know my mind is a bit like a tumble dryer – always on – always spinning. Wish I could just switch it off – vacate the premises – leave no lights on. Just go!

The pip-pop life span of worries (Nikon D7000)

There is always something churning, something burning.  I do not neglect my worries. No, I tend to them carefully. One may slip off, but I can skilfully substitute. I might wake and feel all is right with the world and right with Brendan, but then I sense it. This hollow echo slowly vacuuming.  Then it returns. This slight uneasiness; a nagging knowingness that something is just not fully right.

Dublin. 2016 (Nikon D7000)

What utter nonsense it is to feel like this. I can rationalise it, intellectualise about it, but I cannot rid myself of it. I feel – on – all the time.

But do I?

Recent conversations I have had about photography with friends has gotten me thinking. First one was with Sheldon Serkin in Bangkok. He asked me what getting in the zone when shooting street meant to me. He was to give a talk the following morning about this at the 8 x 8 Street Photography Conference. About how when you are out shooting, that you get in the zone. Whatever that is. For different people it is different things.

I stopped and thought.

I think, I said, for me, it is switching off. I lose sense of my surroundings, of noises. Things become narrowed. I become super-focussed on my immediate environment, and the only distractions I have are visual ones.

Later, with more reflection, I told him – when I am out shooting and I zone out I am on an accelerated path, excited, exhilarated to be in the moment. Scenes, looks, people, flash and vanish. It is dreamlike. I am – off.

When I step out of this moment, I said, it is weird. Slowly, and then suddenly, noises, like traffic, people talking, rush in. I might find myself in the middle of the road, or down on my knees on the pavement, or pushed up against a wall and realise I need to move, to get back into the normal rhythm of things. I feel invigorated, exhilarated; alive! It is euphoric and addictive. Does it happen all the time. Hell, no! But when it does – wow!

He told me for him, when he gets in the zone,  he feels invincible, invisible. Instinct and intuition kick in and he feels on. Conversely I feel off. Freed. But I do agree with the instinct and intuition kicking in.

Delhi, 2016 (Nikon D7000)

Now, for me, I have tried mindfulness. I have laid on a bed in a dark room. Slowed my breathing, drew it into the depths of my tummy, held it there and then exhaled. Repeated and repeated. Tried this for days after days. Did I feel less stressed? Did my worries fall off my shoulders Did they fuck? I am too restless. I lie on the bed and try to free my mind; to just concentrate on my breathing. It works for a few minutes, but then slowly thoughts crowd in and I am not in the moment anymore. They tell you to embrace this, not to chase those thoughts away, that gradually a quietness will come. But I have never got beyond that, to be honest. When this happened, I just stopped.

But when I get in the zone on the streets, it is not a voluntary act or decision. Somehow I slip into this mode and all the noise just gets shut out. Nagging thoughts do not intrude. I am not even aware of this until I slip back out of the zone.

Hong Kong, 2014 (Nikon D7000)

Move on to the next conversation, one I had with my friend, Paul Moore at the excellent MojoCon conference last week. He was talking about how he likes to stay up late at night and work on his photos. He said for him it was a form of mindfulness. Now, I had never ever imagined that editing images could be a form of mindfulness. But once he said it, I banked the idea, and have returned to it over the past week or so, and I have to say he is right. Very right. It is a form of mindfulness. One that suits me. One that does bring me a calm. OK, lots of times it can be frustrating when you learn that your photo is crap. But while editing, I am immersed in the process – with each Lightroom slide, I am willing the photos to life, willing them to be right. And for those moments, I am back in zone, back out on the street and the emotion, the excitement, the connection and all-consuming immediacy of that moment is there with me again, but now it is calming, rather than exhilarating.

Berlin, 2015 (Nikon D7000)

The older I get, the more I realise how dumb I am. How unaware of it is what I do, the things that can make me happy, the things that just add to my stress.

Simple things like surrounding myself with positive people. Those who love grey skies, let the clouds hide them from my life. Be kind. Be kind to myself. From that it is much easier to be kind to others.

Can photography be a form of mindfulness? Do we make the mistake in thinking that mindfulness is only with your eyes closed, your breathing slowed and all the while crippling yourself in a lotus pose? I think I have.

Cork, 2014 (Nikon D 7000)

So often in my photography I fear I will never get another good shot. I find it hard to motivate myself and I can become so self-critical. I feel I won’t rediscover that exhilarating feeling of being in the moment; in the zone. It’s like many things in life, you cannot force it. I cannot explain how it happens, how it comes. But it does come. Not often enough though. When it does, I just seem to slip into it. Feeling the freeing rush of the noise being blocked out in my head, I am in the moment. I don’t need to be in a darkened room. I don’t need to become conscious of my breathing and battle intruding thoughts. It is an intense awareness of what is happening around me and the opportunity to capture it in frames. It is my mindfulness.

Dublin, 2014 (D7000)

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Delhi

Objective for January is to create a gallery of photographs on my website for India. I have been so lazy in getting this done (apologies to those who have been asking me to put one up).

It seems so long ago that we were in India. When I see the photographs and see the light and sunshine in so many images, it looks so distant to me, viewing them now in winter.

These two photographs were both shot in Delhi within the first hour of being there. I don’t think I had ever travelled somewhere with so many imagined images of what I might see. But as soon as we stepped out of the air-conditioned airport into the heat of the Delhi night, I knew one thing was not exaggerated: How hot India is. I felt the legs of my trousers cling to me as I began to sweat. Pulling my suitcase along we crossed this little road. I stopped in the centre and with one hand on my suitcase and the other on the iPhone; I snapped.

Delhi Airport (iPhone 6s)

Into the Delhi night in our air-conditioned car we went with our driver Manpreet. I sat in the back of the car. My friend sat in the front. This was to become the norm as the trip went on. About twenty minutes on we were stopped in traffic and this rickshaw pulled up behind us.

Delhi, June, 2016 (Nikon D7000)

Posted in Brendan Ó Sé. Brendan Ó Sé photography, Daily posts to Flickr, iPhone, iPhone 6s, iPhone photography, Street Photography Also tagged , , , , , , , , , , , , , |

My favourite non-iPhone Photos of 2016

Moving on from yesterday’s favourite 2016 iPhone photographs, now is time to review and select my favourite Fuji x100t and Nikon D7000 photographs from the past 12 months. Usually, to do this I just go back over the photos I have posted to Flickr in the previous 12 months, but this year I really did not post a lot to Flickr, and the reality is that most of my best photographs are buried deep in my iMac.

So, to do this I actually need to go back through the images, select and edit them. All will be from the period of March to September. Reality is those two cameras lived in a dark drawer for most of the year. What is they say about the best camera you have?

This won’t be categorised chronologically either; just 12 of my faves – today – December, 31st, 2016! Reality is tomorrow I would choose a different twelve.

A mother’s love (Varanasi, July 2016)

Our guide in Varanasi brought us to a shop to convert our 500 Rupee notes into 20 Rupee notes to give to the people we photographed. He said we needed to do this. I had not intended to shoot posed portraits. I don’t shoot like this, but with a wad of 20 Rupee notes I felt obliged. India has characters who turn your head and stop you in your tracks. The likes of people you have only seen in documentaries or magazines like National Geographic, and being a naiive photographer you want to satisfy your dreams of getting a Steve McCurry like image.

I parted with many 20 rupee notes and got some posed photographs. Unsatisfied with most – experienced as an artificial exchange. Then this guy approached me on a crowded and chaotic street and with gesture indicated he wanted me to photograph him. In the time it took to understand him we were locked in eye contact. When I hoisted the camera he shot his eyes to heaven and for the three or four frames I shot he did not look into the lens. You know, I don’t remember if he asked for money or if I offered it. 

A mother’s love

Bangkok: The slow rhythm of patience (April, 2016)

Had a discussion with a friend of mine about photography and how we use it to interpret what we experience. I told him that very often when I arrive in a city it overwhelms me and to begin with everywhere I point my camera seems to be the wrong place. I said it takes time to slip into the rhythm of a city, to feel its pulse beat in time with mine and then it just becomes instinctive. 

Bangkok was like that. An assault on the senses. The smell of petrol fumes fused with lemongrass. The hum of the constant traffic. The neon and fresh fruit stalls. The swell and sway of people always on the move. The welcoming smile and the 100-mile gaze. The searing heat. At every turn there was something which got my attention; something which I had to capture in a frame.  I had not visited the red light district on my last visit to Bangkok, but this time we were brought on a little tour by a Japanese friend. Impossible to compute it all. The luxury of photography allows time to reflect. Let the camera see.

Bangkok: The slow rhythm of patience

Jakarta (April, 2016)

Arrived in Jakarta from Bangkok in the evening and it felt darker. There was no neon. I remember finding this place and being struck by the colours of the woman passing. I huddled down between two cars and defocussed and began to shoot. I like the image as it seems, to me, to capture the colour, the light and the movement of that evening.

Jakarta

Blur will save the world (Tokyo, April, 2016)

Shooting on the street is frustrating. I recall listening to a podcast with Rinzi Ruiz (a fine photographer) and he said that if you see it, you have missed it. And you know it is true. That decisive moment is elusive, and so much relies on luck. Shooting in Tokyo is electrifying. I love it. The way I work is that I will shoot for a while with the iPhone, then the Fuji, but I usually leave the Nikon for those sweet moments when I push things out of focus and transform what I see into something more beautiful, something less real, something that soothes and arouses, something that is only mine. You do know that blur will save the world?

Tokyo: Blur will save the world

Jakarta (April, 2016)

In Jakarta we visited the animal market. We came across this scene below. The little boy was learning how to train pigeons. I imagine he is the same age as my little boy. The guys training him were patient, encouraging and kind. The pigeons were obliging. Myself and Elfie (seen here behind the little boy) stayed here for about 20 minutes, shooting the scene. Enthralled by the spectacle.

Jakarta (April, 2016)

Varanasi (July, 2016)

Photography is about memories. It is where yesterdays go, as my little girl told me from the back of the car when she was about three years old. Much of my photography is me trying to learn, to internalise and understand what I am experiencing. Then there are the real moments. The purposeful shots we create of loved ones; the photos we would run back into a burning house to retrieve.

Day was breaking and we were on a small boat on the River Ganges to see the sun rise. The sun rose but the clouds did not part. We finished a conversation about toast and took photos. We laughed a lot.

Varanasi (July, 2016)

On Duty (Delhi, June, 2016)

This was shot through the back window of our car moments after arriving in Delhi. The Indian adventure was ahead of us.

On Duty (Delhi, June, 2016)

Hello! (Delhi, June 2016)

I just love this guy. I was sitting in the back of the car as we made our way through the Delhi traffic. Camera in hand should a shot appear. We were stopped in traffic on this roundabout when this guy on a motorbike pulls up next to us. Instinctively I raise the camera and click, and then smile. Then the guy astonishes me as he takes off his helmet and his glasses and shoots me this beautiful big beaming smile. You got to love India!

Hello! (Delhi, June 2016)

Hello! (Delhi, June 2016)

Leh, India. (July, 2016)

Every picture tells a story, but photographs can lie. And this one does. Looking at it, it is conceivable that you believe it to be a Buddhist monk sitting high up on the roof of his monastery meditating as he contemplates the beauty of the Himalayas. But, the reality probably was that this was the best place in the monastery to get online. As we approached him we saw him shuffling as he tried to conceal his phone under his robes.

Leh, India. (July, 2016)

Leh, India. (July, 2016)

Shibuya Scramble Crossing (April, 2016)

The first time I saw the Shibuya Scramble Crossing in 2012 I stopped and I just stared. Two thousand people crossing when the red man is replaced by the green man. I have been back to Tokyo many times since and this never gets stale for me. I can look at it for hours. It is something else.

Shibuya Scramble Crossing (April, 2016)

Things to do in Tokyo at night (April, 2016)

Most of the time I am in Tokyo it is only at night that I get out to shoot. This one was taken on a photo walk with the Laurence Bouchard.  It rains a lot in Tokyo. But it makes it all the more intriguing. I like the high contrasts, and little mystery in this shot.

Things to do in Tokyo at night (April, 2016)

Vienna (June, 2016)

Really should include a photograph from Vienna. Here it is.

Vienna (June, 2016)

I have rushed this and really should have spent more time in preparing this review, but there you have it.

2016 has been incredible to me. So many people to thank. So many people who along the way who have in some way enabled me to express myself. In no particular order I would like to thank Ben, Elfie, Saad, Arik, Andy, Nikki, Glen, Dan R, Dan B, Simon, Jack H, Judie, Ankit, John, Mark, Brian, David P, Albion, Thomas, Serap, Jen, Teppo, Cielo, Laurence, Tadhg, Michael V, Darren, Joanne, Janine, Nora, Sir Cam, Paul M, Tim B, Johnathan, Lee, Ruby,  Kevin D, Randy, Dave, Brian, Kieran, Richard and Seiya. And then those loved ones who know who they are – thanks!

2016 – My favourite non-iPhone photographs

2017 – believe – achieve – kiss the future…

Posted in A Flickr Year, My own favourite photographs, photograph posts Also tagged , , , , , , , , , , , , , , , , |

My favourite iPhone photographs of 2016

2016 was another great year for my photography. I had some wonderful opportunities to travel and shoot in places like Singapore, Bangkok, Jakarta, Tokyo, Kyoto, Vienna, Hong Kong, Delhi, Ladakh, Varanasi, Mumbai, Seoul, Daegu, Shanghai, Dublin and of course, Cork. Thousands and thousands of photographs shot on iPhone 6s, 7 plus, Fuji X100T, Nikon D7000 and Sony Xperia Z5.

It has become customary for me to select my favourite photographs of the year over the past number of years. It is something I have really enjoyed, but it is time consuming. Christmas can be a good time for this, or as I have found this year it can be the worst. All I want to do is chill out, watch TV, play with kids and eat and sleep. Oh and drink a little too.

Each morning I wake up and say today will be the day I get it done and each night I find myself saying: Tomorrow, tomorrow, I’ll do it.

So, tomorrow has arrived, the year has almost ended and it is time to present my favourite iPhone photographs of 2016.

January

I rarely post photographs of family. Am protective of their privacy. This one, shot with the Olloclip macro lens is one that I particularly like. My wife is a patient woman. I know, if roles were reversed,  I would never wait while she tries to get the shot. Full series here.

January, 2016

February

This photograph, shot in the Glucksman gallery in Cork, is one I use in workshops to demonstrate the need to examine the borders of your images when composing your shots. I was focussing on the girl in foreground and her reflection when I saw this man appear in the top left. With a quick reconfiguring, I got him into the frame and adds a little more to the shot.

February, 2016

March

March was magical. Invited by Monogram Asia to come to Singapore, Bangkok and Jakarta to present my photography was an incredible opportunity. I met some truly wonderful people on the trip and made lasting friendships. This shot was taken on the docks in Jakarta. These workers were taking a short break. More here.

March, 2017

April

Blur will save the world, you know. But I still don’t know how. This shot is the result of frustration. Image stabilisation has improved so much on iPhones. I just can’t blur like I used to. But with the Olloclip Studio case and its lanyard holding the iPhone safely I violently swooped and shot in burst mode to get this shot. You can see the whole series here.

April, 2016

May

This is where I begin to cheat a little and choose images that were not taken in the actual month. This is another from Tokyo in April. I have a series of images of people in transport, shot through glass to create layers, distortion and reflection. This bus driver was stopped at the lights in Shibuya and standing in front of him I saw it appear. I knew at the moment of shooting that I would convert it to black and white.

May, 2016

June

Vienna! What a beautiful city. Enjoyed shooting there a lot, especially as I had beautiful summer sunshine for my stay there. This shot is one I waited for. Attracted by the zig-zag reflections of the sun slipping down the metro steps, I knew someone stepping into the scene would add to it. Patience meets luck.

June, 2016

July
There are so many iPhone images I could chose from my trip to India in July, but the one I am going for is this one from Delhi. Images have to have different entry points to work for me. I like this one because of this.

July, 2016

August
Shanghai! Again, many I could choose from but the one I have gone for is this one shot on the Shanghai subway. There is something beautiful about photography that allows for connections. Eye contact is something I try to get in images. It engages the viewer, I think, but what I like about it is the split second of contact created between the person in the frame and myself. There are times it is electrifying.

August, 2016

September

Another image from Tokyo. Sometimes things just appear in front of you and when you see them it is too late. Other times, things will wait. Then you get lucky. So much of photography is luck. Luck and patience.

September, 2016

October
I was so happy when my kids told me their happiest memory from the summer was going to the river with me in the evenings just before the sun set, when the day’s heat had cooled. They would play in the water and I would try to get photographs or I would just sit and watch them be little kids enjoying summer. This shot was after a torrential downpour. They loved jumping over the puddles and I loved it too.

October, 2016

November
iPhone 7 plus. Dublin. Sunshine on a graffitied wall. Wait for someone to enter the frame and snap.

November, 2016

December
And back to Cork for the last one. Comparatively, I don’t shoot a lot in Cork. I tend to store it all up and shoot intensively when away from home. There is something freer about being off home turf. In saying that, I have projects about Cork on the go and quite possibly these will become much more personal and precious to me as the years pass. This is another shot of reflections. Another instance of patience.

December, 2016

2016 has been incredible to me. So many people to thank. So many people who along the way who have in some way enabled me to express myself. In no particular order I would like to thank Ben, Elfie, Saad, Arik, Andy, Nikki, Glen, Dan R, Dan B, Simon, Jack H, Judie, Ankit, John, Mark, Brian, David P, Albion, Thomas, Serap, Jen, Teppo, Cielo, Laurence, Tadhg, Michael V, Darren, Joanne, Janine, Nora, Sir Cam, Paul M, Tim B, Johnathan, Lee, Ruby,  Kevin D, Randy, Dave, Brian, Kieran, Richard and Seiya. And then those loved ones who know who they are – thanks!

2016 – My favourite iPhone photographs

2017 – believe – achieve – kiss the future…

Posted in A Flickr Year, Brendan Ó Sé. Brendan Ó Sé photography, Inspiration, iPhone 6s, iPhone photography, My own favourite photographs, Street Photography Also tagged , , , , , , , , , , , , |

Colour or Black and White

Sometimes I am stuck. Both look good, but you dilute by posting both. Choose one. Black and white more often than not wins out.

Here are some recent shots that I loved both in colour and black and white, but ultimately only posted one version. All shot in Shibuya, Tokyo on a Nikon D7000.

Which do you prefer?

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Shibuya: April, 2016 (Black and white)

Shibuya: April, 2016 (Black and white)

Shibuya: April, 2016 (Colour)

Shibuya: April, 2016 (Colour)

Shibuya: April, 2016 (Black and white)

Shibuya: April, 2016 (Black and white)

Shibuya: April, 2016 (Colour)

Shibuya: April, 2016 (Colour)

Shibuya: April, 2016 (Black and white)

Shibuya: April, 2016 (Black and white)

Posted in Brendan Ó Sé. Brendan Ó Sé photography, photograph posts, Street Photography Also tagged , , , , , , , , , , , , |