Tag Archives: iPhone Photography

Limited print sale

I am doing a once-off limited edition print of the following photographs. All prints are signed, numbered and certified. Printed professionally using the best museum quality archival papers and inks.

Shipping worldwide.

These images have not been offered before. If interested, please contact me.

Photographic Punctuation

Perpetual Endeavour

The Unbeckoned

 

The pip-pop life span of worries

My Tokyo

My Tokyo

Posted in Brendan Ó Sé. Brendan Ó Sé photography Also tagged , , , , , , , , , , , , , , |

Why do you need a second Instagram account

That’s a question I am asked a lot: Why do I need a second Instagram account?

Truth be told I don’t need one and I probably would be better off just focussing on building my main account. Addition is dilution, as they say. That is true. So, why do it then? Well, I shoot a lot of photos. So much gets my visual interest and over time I build up a lot of photographs which lead a lonely existence in the depths of my camera roll. Back in May of 2016 I decided to create another Instagram account and just post photos there that did not feature people. My thinking was that my main account is primarily for street photography shots with the human element. The second account would let me showcase images that just might not ever see the light of day otherwise. I hate rules, but I do apply just one rule to this account: no people.

So, arriving to January, 1st, 2018, I have decided to look back and choose 12 favourites from that stream. An algorithm chose my best nine, but honestly what the f*** does an algorithm know about photography? A bloody lot judging by the success of platforms like Instagram!

Anyway, here goes in selecting 12 photos from my second Instagram account. I am not going to do this like I did when selecting my fave 12 from the main Instagram account – when I chose one photo from each month. This time, I am going to make it easy for myself and just choose 12. (a little side note – I am trying to get this done in the next hour or so – otherwise it will not get done – actually took me over 90 mins)

I hit the streets of Hong Kong wanting to capture street life and character. I had my camera ready for action. My head was on a swivel seeking out that scene. Then I stopped. Perched myself against a yellow facade and shot the passing traffic.

Hong Kong

Korea

When we are in Korea, one of the things we enjoy most is walking to the river near my wife’s parents’ house. The kids love to play in the water. It is a short walk; takes about 5 minutes or so. Over the years I have shot so many photographs and videos of them playing in the water and also so many shots of things I see en route. This one here is an example of the things you can see on the way. I look at it, the kids look at it, they look at me, they look at one another, and then they run on. The river is waiting.

People love it when I tell them that these are coffee pods. I found these in Brown Thomas in Cork when I was in there with my wife one day. I had to ask the store assistant to step out of the way to let me get the shot. When I showed her the shot she said: “Wow, I see that every day, but I have never seen it like this. That’s fabulous.” That made my day.Cork

Tokyo

Tokyo sees a lot of rain. Hit that up with neon and you get some beautiful reflections. This shot was shot using portrait mode to defocus and accentuate the colours. I edited in RNI Films (if you haven’t got that app, you are missing out. Go get it!)

Bangkok is hectic. An assault on the senses. I love the place. So much going on and the people are just the most photo-friendly you can meet. It can be hard to get a shot that gives the sense of activity without having people visible in it. I think this goes towards it.

Bangkok

Korea

I think the reason I like to shoot abstract images when I am out photographing is because there is control in this. It is not like street photography where, as the saying goes, if you see it, it is too late. There is a comfort in finding scenes which are to a degree permanent, ones you can take time with. Ones you can even manipulate. This shot is from Daegu, South Korea. I was wandering around the city frustrated that killer moments were not happening for me. They rarely do. One way to deal with this to seek out photographic constructions. This scene, while appearing calm, screamed at me.

I was asked once in an interview if I ever had a lightbulb moment and it annoyed me. Annoyed me because to begin with I could not recall any and then annoyed even more when I realised how unfortunate that is. A light bulb moment is by nature an abrupt clout of clarity which shakes you from your trodden and dour path. Why didn’t I ever have one? I want one now, I thought. But you can’t will these no matter how you try. But you know now that I am in the process of reviewing my images and wondering what I saw when I took a shot, I begin to think about a moment when an ex-girlfriend of mine spoke to me about seeing colour. I was about 20 years old and I was bored listening to her. She knew this. But she also knew I was not seeing colour. No, she said, you don’t, you don’t see colour, you see colours, but you don’t see colour. This confused me, but by now I was listening to her; no longer bored. Colours, colour, what’s the difference? She continued to tell me, but what she was saying continued to confuse me until I began to try to see it for myself. And then I did, I began to see colour like I had not before.  No matter how I try to explain this I can’t. I am not going to even try. Perhaps the easiest way to achieve this is just by trying to see colour. It is the same with shapes and lines and layers and distortions. They are all there. You just need to train your eye to see them. This photo below is an example of this.

Cork

This photo I love because it is simple and was such an easy shot to get. I like it because when I look at it, I leave it and I am back in Bali. The sky is clear of clouds and the sea is pristine.

Bali

Copenhagen

One of the hardest things I find in photography is to immerse yourself in the scene and to become part of what you are seeing. To allow the viewer feel what you might have been feeling. So often I fail in this. This image here is of a staircase as seen from above. Using a zoom burst I wanted to give the sense of vertigo I was feeling looking over it. I have a dreadful fear of heights.

Vietnam

I obsessed with the future. I struggle so much with optimism. It is like I am on a trampoline. Each time I am vaulted skyward I panic. Enveloping pessimism consumes me. I fear there is nothing under me to cushion my fall. Yet, each time I hit that trampoline optimism is injected and I believe again. What does this have to do with photography? Leading lines, vanishing points, all leading to the future. I stop to examine and caution floods in. But it excites me too. Commit to the future…

Cork

Cork

Trees. They need to cheer the fuck up, you know. Every photographer goes through a phase of shooting trees. They are easy. Stuck there in the ground, unable to make you question the reason why you are photographing them. Snap, snap, snap, they can do nothing. No response. Nothing. Move on to the next tree.

I teach my students how to write. One of the pieces of advice I give them is: Let your ideas control your writing; not your writing controlling your ideas. What does this mean? Well, this blog piece is an example of my writing controlling my ideas. Before I began this piece I had no idea what images I would choose, not to mind what order I might present them in. I even began by telling you that this second account is for photos with no people in them, and now here I am getting to the end of the piece and putting in a photograph with myself in it. I can offer excuses, but they would be pathetic ones like telling you this is my blog and I make the rules. Then, to compound things, I realise this shot is the one I should have used when I was talking about lightbulb moments. Too late. I just could not be arsed going back and reorganising. It’s done!

Anyway, I am choosing this as my last favourite of 2017 from my second Instagram account. Why? Because all my photographs are all about me. I may not be in them, but if you look you will find me. In all of them. Every single one. Even this one.

Not the lightbulb moment shot

Kiss the future….
Posted in Best of year, iPhone, iPhone photography, My own favourite photographs, photograph posts, Travel Also tagged , , , , , , , , , , , , , , , |

Favourite 2017 Shot on iPhone Photographs

OK – I have tried to start this so many times in the recent weeks and each time I tell myself I will get it done tomorrow, knowing full well that I will wait until the last moment and then rush it through. But hey – once I get it done, ya?

Choosing my 12 favourite photos was so easy before. All I needed to do was head over to Flickr and see what photos I posted in each month of the year and from that choose a favourite shot. Not so anymore. This year I posted virtually nothing to Flickr until September, so for the first time ever this end-of-year-review is being done via Instagram. Here are my Instagram stats for the year: I posted 272 photos to my main account and 186 photos to my second account (the one I keep for shots without people in them). That is a lot of images, but then I travelled and shot a lot in 2017.

I could do the easy thing and allow an algorithm decide what my best 9 photos were, but you know, they weren’t. You can see them if you wish here and here. I prefer to spend some time with the images, recall where I was, what I was doing and how it felt. That is why we create images, no? To make memories. So here are my 12 favourite shot on iPhone photographs posted to my main Instagram account in 2017.

So, January took me to Iceland for the first time. Stumbled across this artist’s house on the seafront. The sun was setting and it was freezing.

Reykjavik (Shot on iPhone 7 Plus)

February and I was on my way to Cyprus to open the exhibition for the Mobile Photography Awards in Limassol. I guess it was here that I began to change my approach to street photography. Not sure why or how, but I began to engage more with people on the street as I shot their portraits. Much like candid photography, people’s first reaction when you ask can you take their photo is one of curiosity. What is it that I can see about them that makes me want to photograph them? Self-consciousness smothers that initial curiosity and the task then is to engage with them to get them to relax. I tend to tell people about myself, revealing myself a little, as I shoot. I ask them questions. I am polite and respectful. I shoot a lot in these moments.

This guy here had no English. I smiled a lot. He stared at me. He smiled when I showed him the photo.

February: Limassol (shot on iPhone)

March was a month at home and not a lot of shooting, bar the Holi Festival in my university, so I was posting shots from previous trips. This one of a bus driver in Seoul I love. I remember knowing that I would stop to shoot it when I was waiting for the green man to appear. I just love shooting into glass and the layered distortion the reflections create.

March: Seoul

April was a full on month for me. I was in Korea and Japan with work and then home for a few days before heading back out to Thailand for the most amazing experience of Monogram Asia’s first 8 x 8 Street Photography Conference. Another highlight of April was the being out on the streets of Cork for the 24-Hour Project with great people. Choosing an image I shot in the month of April is damn hard, but it is not so hard to choose one I posted in that month. Photography is all about memories and connections. My favourite for April is this one shot on the 24-hour Project in late night Cork. May not be my best photo in April, but it is the one which makes me think of the absolute craic I had with Tim, Dee, Judie and Jonathon. 

April: Cork. 24-hour project

And on to May and really there can only be one shot for May. I have written quite a bit about how I began to shoot more asked-for-portraits and how much I began to enjoy it. This one was shot in Bangkok on a very hot morning on a photo walk with Sheldon Serkin and Renzo Grande. Here’s the thing. Once I got the shot I knew it was a good one, but I did not know whether it was better in the original colour or to convert it to black and white. Shel and Renzo thought it was a no-brainer – black and white all the way. I still have a thing for it in colour. What do you think?

May: Bangkok

June: In April in Seoul I stayed in Myeondong. It is probably the busiest shopping district in Seoul and with that comes much activity; perfect for street shooting. My maxim about photography is: Trying to see what can be seen and how to see it. This shot is an example of this. The bright neon lights, the taxis, the taxi drivers. Bringing them all into one frame was not easy. Shooting it on an iPhone at night even more difficult, but I love the result.

June: Seoul

July brought me to back on my travels, back to Hong Kong and then on to Korea again. I shot a lot in this time, but did not post in July. I did share this photo on Instagram though – a photo from Yoyogi Park in Tokyo. A photo which is part of my Rehearsing for a date series of images of people alone in locations where you might commonly find dating couples.

July: Tokyo

August and I am on the beach in Busan stopping people asking if I can take their photo (and they not getting upset that I did not ask if I could make their portrait). Honestly, this is something I felt I would never have been comfortable doing, but now I cannot imagine not doing it. There is something so wonderful about it. I made some really great connections this year shooting portraits. This guy was great fun. He took delight in telling me he knew Conor Mcgregor when I told him I was Irish. Honestly? Conor McGregor?

August: Busan

In Bali, I had Bali’s best motorcyclist as my guide, but I sadly proved to be Bali’s worst motorcycle passenger in this time. I loved Bali. Big thanks to my buddy Gathoe for showing me around Bali on his bike and for bringing me to the kite festival on that first day I was there. I skipped off the beaten bath a little to find these kids playing football.

September: Bali

I tend not to post photos of my kids. This is just a personal thing for me. Probably am too protective of their privacy. But this is one of my little boy that I love. No great timing here to get the decisive moment; no just finger kept on the shutter to shoot in burst mode and then to later select that decisive moment. My little HCB shot.

October: James

November is a bit hard for me. I am torn between this, this and this, but have decided to choose this one in the end. The edited image is a little distant from the original, but I knew that in taking it I would be able to go on many creative routes with the photo.

November: Seoul

And this brings us to the end of a year of shot on iPhone photographs. Life is difficult when there is choice and truly I could have gone in so many different directions with these selections. In the end I opted for all colour, could just have easily gone all black and white as I love many of the photos I shot in black and white this year, particularly when shooting with Provoke.

So, here is it – the final image to make up my 12 favourite shot on iPhone photographs from 2017. A photograph shot in Dublin, and one which is part of my This gap between us will be filled with love or loss series.

December: Dublin

Thanks to all for your kind support throughout 2017.

Here’s to 2018 and the unexpected, the unimagined it will bring.

 

Posted in A Flickr Year, Best of year, iPhone, iPhone photography, James, Summer 2017, Travel Also tagged , , , , , , , , , , , , , , , |

My favourite photographs of 2017 – January

It’s that time of year when you hear it’s that time of year.

Well, it is!

It’s that time of year when I look back and rediscover the photographic journey I have been on over the past 12 months. I’ve been doing these since 2012 – one of iPhone and one for non-iPhone. Before it was quite simple. All I had to do was look back over my Flickr stream and make the selection. But I have not been as active on that platform as I had been in years gone by. Now, it is mainly Instagram. In the past few months I have tried to get back into the groove with Flickr, but truth be told it is a little stale on there. Am hoping it will bounce back to life.

Anyway, I am digressing. Back to it being that time of year and that time when I choose my favourite photographs.

Where to begin? January brought me to Iceland on a university exchange. I remember the excitement  and wonder I experienced as the bus made its way from the airport to downtown Reykjavik. I had never seen landscape like it. Staring out the window, lost in thought, I felt I had landed on the surface of the moon, only for the chatter of my fellow tourists to break me from this sense. Iceland did not disappoint. It is truly spectacular. I really did not have much time to explore, but on my very first walk  along the seafront I stumbled upon this residence. Apparently this is the house of a local artist.

Reykjavik (Shot on iPhone 7 Plus)

While the natural beauty of Iceland will take your breath away and you will have your camera constantly raised to eye level, at times it is good to look down too. This photo brings me back to the little road trip I took with Toka on a very cold Friday afternoon. I was cautious not to fall. While Toka is not in this photo, I can recall her laughing as she looked at me getting this shot.

That’s what photos are about – little memory triggers. Thanks, Toka, for making happy memories with me.

Iceland

February photographs up next.

 

Posted in Best of year, iPhone, iPhone photography, photograph posts, Travel Also tagged , , , , , , , , , , , , , , |

My talk at ZafigoX

It was quite the honour to be the only male speaker invited to talk at ZafigoX Travel Conference for Women in Penang Malaysia in August.

The premise of the talk was based around two wonderful ideas. The first from Benjamin Disraeli who said: “Like all great travellers, I have seen more than I remember, and remember more than I have seen.”

And the second from a conversation I had in the car with my daughter when she was just three years old: Where do yesterdays go, Daddy? I don’t know, lovey, Where do they go? I know, Daddy, they go into photographs.” The beauty of this idea has stayed with me ever since.

I will let you enjoy the talk.

Posted in Brendan Ó Sé. Brendan Ó Sé photography, iPhone, Photo Talks, Travel Also tagged , , , , , , , , , , |

Daegu

Daegu? Where’s that? South Korea.

It’s Korea’s third biggest city and also known as the oven of Korea as when it is hot in Korea, it is hotter in Daegu. It is a colourful city and Korea’s quirkiness is very much in evidence. It has good restaurants and like most places in Korea it has an an abundance of cafes and food stalls.

Daegu (shot on iPhone)

I love shooting in Daegu. I have this series of images going on of elderly gentlemen in Daegu. I just find them to be so cool. They are snappy dressers and ooze class and attitude. These guys have lived through a lot. I imagine a lot of these men might have seen active service in the Korean war. I love how some of them shout – “Hey, buddy!” or some other American-style greeting to me when they see me. I wish our exchange could extend beyond this and allow me to get to know them a little more.

Daegu (Shot on iPhone)

Daegu (Shot on iPhone)

Young Koreans have their own style. Put one young Korean guy in a room of other Asians and the Korean will stand out. Their fashion style can be unique and geeky. Got to admire that.

Daegu (Shot on iPhone)

Another series of images I have going on from Korea is one focussing on couple culture. I am always struck at how many couples you encounter on the streets in Korea. Very often they will be sporting a ‘couple look’ where both will be dressed in identical clothes. These two are cooler than that though.

Daegu (Shot on iPhone)

As I said – it gets hot in Daegu and Koreans will do everything to keep themselves protected from the sun. Just wait until you see the beach fashion when I do my blog post from Busan. This guy was cool. He just loved getting his photo taken. His reaction when he saw his image was just too cool.

Daegu (Shot on iPhone)

Cafe culture in Korea is big. There are just so many cafes and while the coffee is good, it sure is not cheap. Anyway, the big glass fronts of these cafes make for good photo opportunities.

Daegu (Shot on iPhone)

Daegu (Shot on iPhone)

Daegu (Shot on iPhone)

My shooting style changed over the past 12 months. Now, I really enjoy engaging with people on the street. This guy just could not understand what I wanted to do when I asked if I could take his photo. He kept reaching for my phone – thinking I wanted him to take my photo. It was a little battle to get him not to hide the cigarette also. Ya, smoking kills, but they look good in photos.

Daegu (Shot on iPhone)

Recently read an article about street photography cliches. This shot below fell into the category. But hey, I cliche, you cliche, we all cliche.

Daegu (Shot on iPhone)

And leaving Daegu…

Daegu (Shot on iPhone)

Next up is Busan. Korea’s second city. Expect lots of beach shots!

Posted in Brendan Ó Sé. Brendan Ó Sé photography, iPhone, iPhone photography, Street Photography, Summer 2017, Travel Also tagged , , , , , , , , , , , |

Make or take a photo

Can I take your photo? Can I make your photo?

 

Jakarta. April 2016. Shot on iPhone 6s

There is that debate in photography about whether you take or make a photo. I think far too much is made of it to be honest.

Basically the idea is that if you make a photograph you are inclusive of those being photographed in the process, and with them, you as the photographer adds something to the scene.

The idea of taking a photo is that you are extracting something; perhaps not inclusive of those being shot. I understand the ideas and agree with them.

But coming from a language-teaching background, I feel much is overlooked in this dynamic.

The first thing is collocation. What it that? That is commonly-occurring word partners. Example: take and photo most frequently go together. This means that the vast majority of people use this phrase when talking about photography. And from that the expression make a photo can be a little jarring for them when they hear it. It just does not sound natural. 

The second thing is requests like Can I take your photo? are so much more well received if accompanied by a smile and if you can display honesty when you make eye contact. Who cares if your phrasing is make or take a photo if you look like a prick who just wants to exploit someone.

Jakarta. April 2016. Shot on iPhone 6s

This brings back to my winning photo in the recent iPhone Photography Awards and its subsequent media appearances all over the world as the press features the winning photographs of the competition. I was fortunate to have an interpreter with me that morning when I wanted to photograph the man’s hands and feet, but still I believe that despite the language barrier I could have connected and communicated with my subject through body language, smiles, a tilt and a nod of the head and eye contact.

But the curious thing is that with this win and the subsequent media attention I cannot help thinking about the guy whose hands I photographed.

Those hands tell a story; one of hard labour. The photograph also tells another story; one of privilege and good fortune. Of someone who has time and the means to travel and to get excited about the dirt encrusted on a labourer’s hands in a, to-him, exotic part of the world.

Jakarta. April 2016. Shot on iPhone 6s

So did I make or take this portrait? If I made it, what did I add?

I recall when I showed him the photographs I had shot, he nodded, raised an eyebrow to me and nodded acknowledgement again. I thanked him and his co-workers with my limited Indonesian. My friend Elife gave the workers some cigarettes and we left.

I would love to be able to give something back to this man. I cannot imagine him being interested in a print of his hands. Vanity is not something I would associate with him. But what to do? The time has passed and I doubt I could ever locate him.

Jakarta. April 2016. Shot on iPhone 6s

Kiss the future…

Posted in Brendan Ó Sé. Brendan Ó Sé photography, iPhone 6s, iPhone 6s portraits, photograph posts, Street Photography, Travel Also tagged , , , , , , , , , , , , , , |

iPhone Portrait Mode

“But it’s not a real camera!”

2017, and we are still hearing that.

Bangkok -iPhone 7plus – Portrait Mode

At the recent 8 x 8 Street Photography Conference in Bangkok I gave a talk on how the limitations of the iPhone resulted in my experimenting and pushing things creatively. It was a fun talk, but a talk that had impact. One that got people thinking, and one that has encouraged people to embrace mobile shooting.

Galway – iPhone 7plus Portrait Mode

For me, moving from film to digital changed the way I shot simply because I was able to review the images immediately and shoot more. Result being I made more mistakes and I learnt more. But once I began to embrace shooting on the iPhone it changed the way I see; it changed the way I think. Why? Again, it is simple I went from a situation of having a camera – a big, heavy DSLR (that I love to this day) sitting in a drawer only taken out on occasion, to one where I had a camera with me 24/7. Gone were the times when I would see a scene and say to myself:

“Oh, I wish I had a camera with me.”

I always had a camera with me. And instead of passively happening upon photographic opportunities, I was now actively seeking them and actively creating them. I began to see, think and create photographically.

Bangkok – iPhone 7plus – Portrait Mode

Sure, there were limitations. Small sensor which meant poor quality images in low light. But this allowed me to experiment and create images like this in low light conditions.

iPhone 5 (2013)

No zoom? Ya, and that meant I had to zoom with my feet and get in close getting the shot. I also began to discover how perfect the small and discreet iPhone was for street work.

iPhone 4: 2012

A fixed lens? Again, this resulted in more considered compositions. More awareness of what to leave in and more importantly what to leave out of an image. When I look back now at the images I shot with the iPhone I can see how particular I was about composing images; the attention I gave to what I was photographing in an image, and what I was not photographing (what to omit) in a frame.

Tokyo – iPhone 6, 2015

No changeable lenses? Well, there are add-ons – great lenses like the Olloclip ones. But again, I did not want to use them straight up. No, I wanted to experiment and see what else they could do. Macro lens portraits? Ya, why not?

iPhone 6: 2016

And the latest imperfection that causes people to say: “But it’s not a real camera, though, is it?”

Portrait Mode is Apple’s attempt to mimic the bokeh effect that real cameras can achieve. It creates a depth-of-field effect blurring out background and making your subject in the foreground stand out. Can a phone camera really do that? Sure it can!

Tokyo – iPhone 7 plus Portrait Mode

Again, it is something I can achieve with so much more ease on my Fuji or my Nikon, but for some reason it feels differently on those cameras. Working in Portrait Mode with the iPhone is frustrating. You get notifications from the camera telling you to move closer, mover further away, place your subject within 2.5 metres until the DEPTH EFFECT in bright yellow appears. I imagine in years to come we will look back at these notifications and marvel at them. For now, it is slow. It is frustrating. It is hard to use in low light. But here’s the thing: because it slows you down, you become more considered about composition paying more attention to what to leave in and what to leave out of the shot. You become more deliberate about getting things in focus to achieve that depth-of-field bokeh effect.

Seoul – iPhone 7plus – Portrait Mode

And it has changed how I shoot on the street. It brings me closer to the those I am photographing. I have to get close and I have to slow down. Where before I was in close but I was on the move, now I am close but I am with them. This has meant a change. Before I would rarely talk with people on the street. Sure, I would exchange a smile, at most a small few words. Now, I find I am engaging, exploring, getting to know the people I am making portraits of. I could not have imagined this before getting the iPhone 7 plus.

Tokyo – iPhone 7plus – Portrait Mode

Take this one encounter from last Saturday’s MojoCon photo walk in Galway. I saw this man approach. Before I would have slalomed towards him, got in close and shot a burst of images, not looked back and carried on to the next character who caught my attention. This time, I went up to him, introduced myself and asked if I could take his photo (I think the make your portrait or take your portrait thing is nonsense – it is not the collocation of words – it is how something is said and the manner it is said). Sure, he said. I thanked him and began to compose the frame. I told him I was from Cork, up in Galway for a conference and asked him where he was from. He was from Oranmore, about 10 miles from Galway. He had come up by bus. Usually did, he said, on a Saturday afternoon. What did he like to do here, I asked. Place a few bets, have a few pints. Today was a bad day, he said. He had lost and he now had time to kill before he headed back to Oranmore, but at least it was a fine day. Did I like Galway, he asked. I told him I did. I showed him the photos. He nodded his head as he looked at them. I thanked him. We shook hands.

Galway – iPhone 7plus – Portrait Mode

It is a departure for me to engage so much with people on the street. I never had much problem getting in close to get the shot, but I was, could I say shy or even embarrassed to engage with people. Shooting on Portrait Mode has caused me to slow down – focussing takes time – it is frustrating and you do miss shots. But on the plus side it results in a new, fresh approach in street photography for me and it is invigorating.

 

Galway – iPhone 7 plus – Portrait Mode  

But it’s not a real camera, ya? No, it is so much more than that. It’s a wonderful springboard for creativity and experimentation, fun and learning. Embrace its limitations.

Kiss the future…

Posted in Brendan Ó Sé. Brendan Ó Sé photography, Inspiration, iPhone, Photo Talks, Street Photography Also tagged , , , , , , , , , , , , |

8 x 8 – Street Photography Event – Bangkok

Shooting street doesn’t get much better than on the streets of Bangkok. See it and you’ve missed it, is one of the old sayings about how quickly things happen on the street, and how easy it is to miss that moment. The great thing about Bangkok is that there are just so many moments.

That is what makes this event – 8 x 8 – in Bangkok, organised by Monogram Asia, so exciting. Combine the dynamic, cinematic streets of Bangkok with some of the best street photographers currently shooting and you have a killer combination. I must say I am honoured to be on the line up with photographers whose work I admire so much. It will be a thrill to get to know people like Eric Kim, Gathot S, Xyza Bacani, Chatchai B, Sheldon Serkin, Olly Lang, Rammy Narula.

Bangkok. March, 2016

Here’s how it works. First, there is a three-hour photo walk around the highly-photogenic streets of Bangkok. Each of us will take a group of 8 people on the walk, along the way sharing tips, guiding the participants, and heightening that sense of photographic awareness –  to get that shot

With me, we will be shooting on mobile. That could be an iPhone like me, or a Samsung, a Sony or any one of the great cameras that are on smart phones these days. And you know what? We will be the lucky ones. Why? Who wants to lug around a heavy DSLR? Who wants the world to know you are taking a photograph when you raise that big camera up to your eye? I know I don’t. Sure, I like to shoot with a Nikon DSLR and I also use a Fuji X100T, but the best shots I get, the most fun I have in photography is with the iPhone. It is the perfect street camera. It is fast – one swipe and you are ready to shoot. It focuses correctly and quickly on auto. It’s discreet and allows you to get in close to your subject without startling them to get great candid shots. I could go on and on, but let’s keep the tricks for when we meet in Bangkok.

Bangkok. March, 2016

One of the things I am really excited about is all the conversations about photography and street shooting we are going to have. Lots of this will be informal, but there are two days of formal talks and lectures planned. Big names like Take Hayo (Big Head Taco) Bellamy Hunt (Japan Camera Hunter) and Paul Yan are pencilled in to speak. Then there’s the photo exhibition of the guest artists which is open to the public, as are the stands for all things photographic that will be on display on the same day.

So there you have it. 8 x 8 Street Photography Bangkok. This will be the street photography event of the year. Want to be a part of it? Click here for all details. 

See you in Bangkok.

 

Bangkok. March, 2016

Bangkok. March, 2016

Bangkok. March, 2016

Bangkok. March, 2016

Posted in Brendan Ó Sé. Brendan Ó Sé photography, iPhone 6s, iPhone photography, Street Photography, Travel Also tagged , , , , , , , , , , , |

Iceland

Where to begin with Iceland? Well, I guess a good place to start is the place you start from: the airport.

A good friend of mine told me have my camera (in this case my iPhone) ready as I travelled on the bus from the airport to downtown Reykjavik. He was right. The landscape on this slowly-darkening Iceland winter evening was unlike anything I had seen before. The colours, faint in the low and diminishing light were oranges and browns, whites, yellows and greys; ones I had not seen before. Their texture dimpled and bumpy as little mounds of volcanic earth and rock stretched out along the road. In the distance were snow-capped mountains.

The view from the bus from airport to downtown Reykjavik (Shot on iPhone 7 plus)

The onboard announcement switched from Icelandic to English. The voice was calm and pleasant and stated it hoped I would enjoy my time in Iceland, and to return. Most certainly, I thought. It took about 50 minutes from the airport to arrive in the centre of Reykjavik on the Flybus. As you edge further into the city a skyline of mountains appears in the distance and as you approach the sea appears at their foot.

When I got off at my stop, retrieved my suitcase, zipped up and turned east (as I had been directed by my AirBnb host who for some reason preferred cardinal directions more than my requested, and more easily understood, left or right turn ones), the sharp wind shot at me causing me to speed up and find my apartment. Once installed, I ventured out to see that seafront and those mountains.

View of Mount Esja (Shot on iPhone 7 plus)

Reykjavik is small. Iceland is small. As capital cities go, it is probably the smallest I have been to. It is quaint and yet modern. It has grim, grey streets of uniform council-type housing and other streets of striking modern designs. The main street, Laugavegur, has no big-brand shops. The first time I walked along it I did not realise it was the main street. From there I strolled up to iconic Hallgrímskirkja church, and from there a walk back down to the parliament area and then across to the stunning new opera house: Harpa. Walking back along the seafront as the sun began to set on my second day in Reykjavik, I felt I had seen the town. It is that small. As the week would go on I would return two more times to Harpa. I am a big fan of modern architecture and this building is just simply delicious when the light streams in and throws shapes and shadows which strut and cut the sharp angles and fluid curves of the vast interior. I loved this place.

Harpa Opera House (iPhone 7 plus)

Harpa Opera House (Shot on iPhone 7 plus)

Hallgrímskirkja Church (Shot on iPhone 7 plus)

The week would go on and I would be busy with teaching at the University of Iceland. In time off before or after classes, I tried to walk as much as I could and Reykjavik is a city which is perfect for that. The weather was not too bad when I was there. Below zero temperatures, cloudy skies, a biting wind, but no snow. The cloudy skies meant that I did not get to see the Northern Lights. This, I must say, was a real disappointment, but as I told my hosts, it means I have a good reason to return to Iceland.

When Friday came I had the afternoon  free and one of my hosts, Toka, kindly offered to bring me on a little tour of the Reykjanes penisula which is a short trip from Reykjavik. We headed west with the low-lying Icelandic sun breaking through the clouds. Sitting in the passenger seat seeing the road opening out in front of us, the sky seemed vast. Snowy mountains flanking us on all sides, I braved the icy wind and holding my iPhone with great care I shot little video clips as we made our way around this beautiful peninsula.

The highlight of this short tour was the stop we made at the Blue Lagoon. Earlier in the week I had tried to arrange a visit to this iconic location, but was disappointed to learn it was fully booked out. Toka delighted me when she told me, that while it was not possible to bathe in the lagoon, you could still wander around. Perfect! The stark contrasting colours of the greyish black volcanic rock and the neon blue of the thermal water is stunning. As the steam rises from the heat of the water it gives it an ethereal feel and adds to the experience. One thing that shocked me was to see people sipping on beer and cocktails while bathing. While disappointed I had not the opportunity to fully experience the Blue Lagoon, there was some compensation in being able to use thermal pools in the Laugardalslaug public baths, which within walking distance of my apartment. They may not have the magical feel to the Blue Lagoon, but it was something else to shiver in the freezing cold as I tipee-toed from the changing room to the outdoor swimming area. It’s bliss once submerged in the hot water.

Bathers enjoying a drink in the Blue Lagoon (Shot on iPhone 7 plus)

Renting a car in Iceland is best done online and make sure to shop around as prices do vary a lot. I got a Citroen C3 from rentalcars.com and paid an extra €20 to get a GPS and a WiFi router.  It was money well spent and made my tour of the Golden Circle so much easier to navigate. The Golden Circle takes in some spectacular Icelandic sights: Þingvellir National ParkStrokkur Geyser (yes, that is where the word geyser comes from, and the jaw-dropping Gullfoss Waterfall. I left Reyjkavik at about 8 in the morning and got back to the car rental depot a little later than 6 in the evening. Taking in the three stops, stopping for the many photo opportunities, and spending about 45 minutes for lunch, the day flew past, but still I felt I had seen a lot of the spectacular landscape and some of its famous inhabitants – the beautiful and gentle Icelandic horses.

Icelandic Horses (iPhone 7 Plus)

Icelandic Horses (Shot on iPhone 7 plus)

Pingvellir National Park (Shot on iPhone 7 Plus)

Geyser Erupting (Shot on iPhone 7 plus)

Gullfoss Waterfall (Shot on iPhone 7 Plus)

Iceland is not cheap. I can safely say it is easily the most expensive place I have visited. It really cannot be done cheaply. Eating out is expensive and even supermarket food in the budget supermarket Bonus is costly. I paid about €15 for a cup of coffee and a sandwich in a little cafe in Reyjkavik city centre.  A beer is about €10, and an average main meal in an average restaurant is north of €20. However, the food is great and must be sampled. Check out Cafe Loki for some fine Icelandic food. It is easy to find; just look for the big church and it is directly opposite you.

From May, Wow Air will offer direct flights from Cork to Reykjavik to go along with the existing direct flights it offers from Dublin. Tourism is booming in the country and the infrastructure to cope with the increasing number of visitors is being stretched. New hotels are being built, but more and more locals are offering their apartments on AirBnB, and I reckon this is the best option at the moment.

All in all, Iceland is not to be missed.

Iceland (Shot on iPhone 7 Plus)

Reykjavik (Shot on iPhone 7 Plus)

Reykjavik (Shot on iPhone 7 Plus)

Iceland (Shot on iPhone 7 Plus)

Iceland (Shot on iPhone 7 Plus)

Iceland (Shot on iPhone 7 Plus)

Iceland (Shot on iPhone 7 Plus)

Iceland (Shot on iPhone 7 Plus)

Reykjavik (Shot on iPhone 7 Plus)

Reykjavik (Shot on iPhone 7 Plus)

Reykjavik (Shot on iPhone 7 Plus)

 

Posted in Brendan Ó Sé. Brendan Ó Sé photography, iPhone photography, photograph posts, Travel Also tagged , , , , , , , , , , , , , , |