Tag Archives: iPhone portraits

Why I love to shoot with Provoke App

iPhone photography is all about the apps, isn’t it?

Bali (Shot on iPhone with Provoke app)

That is one of the things that gets thrown at me quite a bit. What app did you use for that? My stock response is: “I shoot with the native camera app and do a little editing with Snapseed.”

Busan (Shot on iPhone with Provoke App)

As a photographer I am very much on the side of those who think photography is about photographs – not about cameras. I tune out when photographers begin to talk about the technical side of things, but conversely I tune in when the topic of new apps pops up. I would tend to download a lot of new photography apps and experiment with them. Truth be told, I have never found a camera app that works better than the native one on the iPhone, and the with all the editing apps I have downloaded there are only two that I use regularly: Snapseed and RNI Films. The other apps live a lonely life in my Photography folder on my iPhone. Things changed a little when I came across Provoke Camera App. From the start I knew there was something different about this one. It was developed by Glyn Evans [the founder of iPhoneography], and as it says on its download page –  it was inspired by Japanese photographers of the late 1960’s like Daido Moriyama, Takuma Nakahira and Yutaka Takanashi. 

Kuala Lumpur (Shot on iPhone with Provoke App)

I came across the app at an opportune moment. I was embarking on a 5-week tour of 5 countries in Asia. Heading out to do photo talks and walks in Malaysia, Singapore, Bali and Hong Kong. But it was on the beach in Busan, South Korea where I first began to play with my new camera app. The lighting conditions – strong, bright and harsh sunlight were perfect to shoot with the app. There are nine different filters you can use but I let it on HPAN High Contrast for the entire trip. I had found a look I liked and I did not want to stray from this. The app itself is simple to use and allows you to shoot in TIFF format, separate focus and exposure, and shoot with or without flash. Clicking on the ? sign provides an easy to follow guide.

Haeundae Beach (Shot on iPhone with Provoke App)

Haeundae Beach (Shot on iPhone with Provoke App)

Haeundae Beach (Shot on iPhone with Provoke App)

Shooting on a crowded Haeundae beach on a hot summer’s day was fun. I had never shot with flash before, but once I fired the first blast and saw the results I knew this is what I wanted to do on this trip. Very quickly I learned that using the flash results in shots being missed. It slows things down. This I loved. Why? Because street photography is not about snapshots. Because I was missing shots, I had to become more alert. It becomes about anticipation; sensing the scene before it occurs; timing people’s movements and reactions. It’s funny in real life I am not a patient person at all. Just ask my wife. But in photography I am. With each little failure – shot missed – it pushed me to get the next one better.

Haeundae Beach (Shot on iPhone with Provoke App)

In the past few months how I shoot on the streets has changed. Why? It’s all down to Portrait Mode on the iPhone. I’ve mixed things up a lot and now will approach interesting characters I encounter on the street and ask can I take their photo (should I say make your photo!?). Invariably, everyone says OK. Like always their reaction initially is one of surprise. But with a smile, a few questions and little telling them of who I am and where I am from, the ice breaks and as I am shooting all through this exchange I sometimes can get good shots.

Haeundae Beach (Shot on iPhone with Provoke App)

Over the course of the trip I was working like this: Interesting characters would get my attention on the street (or beach) and I would approach them telling them I was a photographer and could I take their photo. I would try to explain what it is about them that got my interest – their hat, sunglasses, shirt, tattoos, the fact they were smoking, or that they just looked cool. This led to the ice being broken and we were off. I would start with portrait mode, then power up Provoke and fire off a few shots with flash (works so well for cliche smoke shots), and then whip up the Fuji X100T to round things off. Another thing I did was to shoot extra shots when I felt I was done. This is a little trick I learned from my buddy Eric Kim.

Bali (Shot on iPhone with Provoke App)

Kuala Lumpur (Shot on iPhone with Provoke App)

Bali (Shot on iPhone with Provoke App)

Being summer in Asia it was hot. Being a pale Irishman not used to the heat I quickly learned that it was perhaps better to get out wandering the streets when the sun had gone down. So, a lot of the time the shots I got with the Provoke App was at night, and the results can be quite good. Sure, the quality is not going to match a DSLR or mirrorless camera, but still, I do like the shots I got at night in places like Kuala Lumpur, Bali and Korea.

South Korea (Shot on iPhone with Provoke App)

Kuala Lumpar (Shot on iPhone with Provoke App)

Bali (Shot on iPhone with Provoke App)

I was lucky enough to be brought to Kuta beach in Bali with Bali’s best moped drive (and a Fuji X photographer) Gathoe Subroto. He may be Bali’s best moped driver, but I sure was Bali’s worst pillion passenger. I had vowed never to get on the back of a two-wheeled vehicle again in my life years back, but I could not refuse Gathoe. But seriously, never again! However, it was worth it for the shots I got with him in Kuta. Where this app using the H-Pan filter works best is shooting into direct sunlight. I like harsh light and shooting contra luz, especially when you get silhouettes like these.

Bali (Shot on iPhone with Provoke App)

Bali (Shot on iPhone with Provoke App)

On my travels, when I was meeting up with friends, each and every one I showed shots this app produced all had the same response. “What’s it called?” they asked as they began to search for it and download it on the App Store. My Android friends were not too happy, though. For now it is only available on IOS.

Hong Kong (Shot on iPhone with Provoke App)

How could it be improved?

Speed. This is probably the main issue. It is slow. Slower when you shoot with flash. As Rinzi Ruiz says: If you see it, it is too late.” I missed a lot of shots with it. But I always miss a lot of shots. That is street. The other thing that needs addressing is editing. When you want to edit an image from your camera roll it is impossible to locate because for some reason the images appear in a random order. With some closing and opening of the app you can correct it, but honestly I gave up. It needs to be fixed. How? Just allow a copy and paste function. Copy from Camera Roll and paste into app. Also, it would be cool if they allowed access to the dual lens system on iPhone.

Bali (Shot on iPhone with Provoke App)

All in all this is a killer app. The very best I have worked with as a native camera replacement, and most definitely the most fun. And that is what it is all about: fun.

So, is iPhone photography all about the apps? No, it’s about the moments you encounter and try to create memories of through photographs. This app, Provoke, does that and it can produce stunning shots.

Kiss the future…

 

 

Posted in iPhone, Resources, Street Photography Also tagged , , , , , , , , , , , , , , , , |

Make or take a photo

Can I take your photo? Can I make your photo?

 

Jakarta. April 2016. Shot on iPhone 6s

There is that debate in photography about whether you take or make a photo. I think far too much is made of it to be honest.

Basically the idea is that if you make a photograph you are inclusive of those being photographed in the process, and with them, you as the photographer adds something to the scene.

The idea of taking a photo is that you are extracting something; perhaps not inclusive of those being shot. I understand the ideas and agree with them.

But coming from a language-teaching background, I feel much is overlooked in this dynamic.

The first thing is collocation. What it that? That is commonly-occurring word partners. Example: take and photo most frequently go together. This means that the vast majority of people use this phrase when talking about photography. And from that the expression make a photo can be a little jarring for them when they hear it. It just does not sound natural. 

The second thing is requests like Can I take your photo? are so much more well received if accompanied by a smile and if you can display honesty when you make eye contact. Who cares if your phrasing is make or take a photo if you look like a prick who just wants to exploit someone.

Jakarta. April 2016. Shot on iPhone 6s

This brings back to my winning photo in the recent iPhone Photography Awards and its subsequent media appearances all over the world as the press features the winning photographs of the competition. I was fortunate to have an interpreter with me that morning when I wanted to photograph the man’s hands and feet, but still I believe that despite the language barrier I could have connected and communicated with my subject through body language, smiles, a tilt and a nod of the head and eye contact.

But the curious thing is that with this win and the subsequent media attention I cannot help thinking about the guy whose hands I photographed.

Those hands tell a story; one of hard labour. The photograph also tells another story; one of privilege and good fortune. Of someone who has time and the means to travel and to get excited about the dirt encrusted on a labourer’s hands in a, to-him, exotic part of the world.

Jakarta. April 2016. Shot on iPhone 6s

So did I make or take this portrait? If I made it, what did I add?

I recall when I showed him the photographs I had shot, he nodded, raised an eyebrow to me and nodded acknowledgement again. I thanked him and his co-workers with my limited Indonesian. My friend Elife gave the workers some cigarettes and we left.

I would love to be able to give something back to this man. I cannot imagine him being interested in a print of his hands. Vanity is not something I would associate with him. But what to do? The time has passed and I doubt I could ever locate him.

Jakarta. April 2016. Shot on iPhone 6s

Kiss the future…

Posted in Brendan Ó Sé. Brendan Ó Sé photography, iPhone 6s, iPhone 6s portraits, photograph posts, Street Photography, Travel Also tagged , , , , , , , , , , , , , , |

iPhone 6s Portraits

As a photographer, I am always looking for new ways of seeing things – news ways of creative expression. Portraits are not something I tend to do. Sure, I have so many candid street portraits, but straight up – asking someone to pose for a portrait – I rarely do.  But I have embarked on a series of portraits using the native iPhone 6s camera and shooting through the Olloclip macro x7 lens.
These portraits are intentionally blurred. I feel blur can reveal, and conceal at the same time. As a photographer, it allows me to present something that is personal – as some of these portraits are of family – and retain a level of privacy. As a viewer, it allows you to bring into focus what only you see. It may be a smile, a tilt of the head, an intensity of gaze or just the fluid form and colour.
It’s yours – see it as you want.
These are works in progress. I am sharing them now to see how they look together – to decide what direction to take the project on. Hope you like them. Feedback welcome.
iPhone 6s Portrait

iPhone 6s Portrait

iPhone 6s Portrait

iPhone 6s Portrait

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iPhone 6s Portrait

iPhone 6s Portrait

iPhone 6s Portrait

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iPhone 6s Portrait

iPhone 6s Portrait

iPhone 6s Portrait

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iPhone 6s Portrait

iPhone 6s Portrait

iPhone 6s Portrait

Thanks to those who have posed for these shots. 
Posted in iPhone Also tagged , , , , , , , , , , , , |