Tag Archives: intrusive street photography

Fear and street photography

A while back, I read a tweet from Eric Kim, a well-known and respected street photographer. His tweet was: “The biggest impediment to getting over the fear of shooting street photography is not liking having your own photograph taken.”  My immediate reaction was this was nonsense as many other fears about street photography immediately came to mind, but it did get me thinking.

Am I afraid when I am shooting street? It really depends where I am. If I am in Cork, my hometown, I can be hesitant, anxious and uncomfortable. There are fewer streets and fewer people. The chances of knowing someone are high. I can easily envisage a scene where someone could become aggressive or even violent. When I am in big cities, I am anonymous. I have a licence to photograph: I am a tourist. What I encounter around me is new, is interesting, is valid for documenting. When I am in my hometown, I do not have that feeling. What curiosity do I have about those I encounter on the streets of my hometown?

Now, I do not like having my photograph taken. But taken in what context? Posing for a photograph when on holidays or for a particular event like Christmas or a birthday, I am self-conscious; who isn’t? Being snapped surreptitiously when I am walking down the street; fine. If I am aware of it, I think I might be a little bewildered as to why someone would want to take my photograph. Being snapped when I am in an intimate moment with family, I would feel like it is an intrusion. Having thought about Eric’s tweet, I am still struggling to get his point. For me, the biggest fear I have about shooting street is invasion. Invading someone’s right to privacy. As I write this, I am beginning to consider that perhaps what he means is – to shoot street we have to get over our own fear of our own privacy being invaded in that moment when our photograph is taken. But this is not something I spend time thinking about, to be honest. When I am in public places the thought that someone might take my photograph never crosses my mind. Perhaps as someone who likes street photography this is naivety of my part. I don’t know.  Anyway, Eric Kim is a photographer I like. He has a good blog, posts interesting articles and can tweet things to get you thinking.

One of the fears I have when shooting street is killing the moment. Hoisting the camera, drawing attention to my action, putting people on alert that I am going to take a photograph. That is why the iPhone is so good for street work. What other fears do I have when shooting street? That’s for another post.

In the meantime, here are some of my most recent images taken out and about in Cork with the iPhone.






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Street photography and privacy

Street photography and privacy, the right to privacy; where is the line to be drawn? There are occasions when people are in intimate moments, when their emotions overspill and are so evident; is it OK then to hoist a camera and document that? I am not sure. I remember one time in Riga when I threw an ashtray at a photographer who was asking a young boy to extend his hands in a begging gesture so he could get a photograph of it. This attempt to get the shot went on for a while. The boy cooperated because I presume he believed that in doing so the guy would recompense him. He didn’t. Without even a word of thanks he turned and walked off. I picked up the ashtray (a plastic one) from the table l I was sitting at and threw it at him. I missed, thankfully.

When I am taking street shots what am I trying to capture? I honestly do not know. Looking though my iPhone stream, selecting some of my personal favourties, I stumbled upon the shot below. I remember taking it on a busy street in Lisbon. We were there on a family holiday in 2011. The couple are in a public place, but the moment they are sharing is intensely private. Their embrace, their unspoken togetherness got all my attention. My head raced as to how this moment was arrived at. I could say that instinctively I got the iPhone out and photographed it, but perhaps it was more predatory. Here were two strangers, two people I would never meet again whose intimacy and its story I could shoot. I did.

Now, despite the questions this poses; whether it is intrusive or not, I do like the photograph a lot. There is a tenderness and love there.

I would love to hear feedback on the questions it poses. Thanks.


The things I remember

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