Tag Archives: Tokyo

Favourite 2017 Shot on iPhone Photographs

OK – I have tried to start this so many times in the recent weeks and each time I tell myself I will get it done tomorrow, knowing full well that I will wait until the last moment and then rush it through. But hey – once I get it done, ya?

Choosing my 12 favourite photos was so easy before. All I needed to do was head over to Flickr and see what photos I posted in each month of the year and from that choose a favourite shot. Not so anymore. This year I posted virtually nothing to Flickr until September, so for the first time ever this end-of-year-review is being done via Instagram. Here are my Instagram stats for the year: I posted 272 photos to my main account and 186 photos to my second account (the one I keep for shots without people in them). That is a lot of images, but then I travelled and shot a lot in 2017.

I could do the easy thing and allow an algorithm decide what my best 9 photos were, but you know, they weren’t. You can see them if you wish here and here. I prefer to spend some time with the images, recall where I was, what I was doing and how it felt. That is why we create images, no? To make memories. So here are my 12 favourite shot on iPhone photographs posted to my main Instagram account in 2017.

So, January took me to Iceland for the first time. Stumbled across this artist’s house on the seafront. The sun was setting and it was freezing.

Reykjavik (Shot on iPhone 7 Plus)

February and I was on my way to Cyprus to open the exhibition for the Mobile Photography Awards in Limassol. I guess it was here that I began to change my approach to street photography. Not sure why or how, but I began to engage more with people on the street as I shot their portraits. Much like candid photography, people’s first reaction when you ask can you take their photo is one of curiosity. What is it that I can see about them that makes me want to photograph them? Self-consciousness smothers that initial curiosity and the task then is to engage with them to get them to relax. I tend to tell people about myself, revealing myself a little, as I shoot. I ask them questions. I am polite and respectful. I shoot a lot in these moments.

This guy here had no English. I smiled a lot. He stared at me. He smiled when I showed him the photo.

February: Limassol (shot on iPhone)

March was a month at home and not a lot of shooting, bar the Holi Festival in my university, so I was posting shots from previous trips. This one of a bus driver in Seoul I love. I remember knowing that I would stop to shoot it when I was waiting for the green man to appear. I just love shooting into glass and the layered distortion the reflections create.

March: Seoul

April was a full on month for me. I was in Korea and Japan with work and then home for a few days before heading back out to Thailand for the most amazing experience of Monogram Asia’s first 8 x 8 Street Photography Conference. Another highlight of April was the being out on the streets of Cork for the 24-Hour Project with great people. Choosing an image I shot in the month of April is damn hard, but it is not so hard to choose one I posted in that month. Photography is all about memories and connections. My favourite for April is this one shot on the 24-hour Project in late night Cork. May not be my best photo in April, but it is the one which makes me think of the absolute craic I had with Tim, Dee, Judie and Jonathon. 

April: Cork. 24-hour project

And on to May and really there can only be one shot for May. I have written quite a bit about how I began to shoot more asked-for-portraits and how much I began to enjoy it. This one was shot in Bangkok on a very hot morning on a photo walk with Sheldon Serkin and Renzo Grande. Here’s the thing. Once I got the shot I knew it was a good one, but I did not know whether it was better in the original colour or to convert it to black and white. Shel and Renzo thought it was a no-brainer – black and white all the way. I still have a thing for it in colour. What do you think?

May: Bangkok

June: In April in Seoul I stayed in Myeondong. It is probably the busiest shopping district in Seoul and with that comes much activity; perfect for street shooting. My maxim about photography is: Trying to see what can be seen and how to see it. This shot is an example of this. The bright neon lights, the taxis, the taxi drivers. Bringing them all into one frame was not easy. Shooting it on an iPhone at night even more difficult, but I love the result.

June: Seoul

July brought me to back on my travels, back to Hong Kong and then on to Korea again. I shot a lot in this time, but did not post in July. I did share this photo on Instagram though – a photo from Yoyogi Park in Tokyo. A photo which is part of my Rehearsing for a date series of images of people alone in locations where you might commonly find dating couples.

July: Tokyo

August and I am on the beach in Busan stopping people asking if I can take their photo (and they not getting upset that I did not ask if I could make their portrait). Honestly, this is something I felt I would never have been comfortable doing, but now I cannot imagine not doing it. There is something so wonderful about it. I made some really great connections this year shooting portraits. This guy was great fun. He took delight in telling me he knew Conor Mcgregor when I told him I was Irish. Honestly? Conor McGregor?

August: Busan

In Bali, I had Bali’s best motorcyclist as my guide, but I sadly proved to be Bali’s worst motorcycle passenger in this time. I loved Bali. Big thanks to my buddy Gathoe for showing me around Bali on his bike and for bringing me to the kite festival on that first day I was there. I skipped off the beaten bath a little to find these kids playing football.

September: Bali

I tend not to post photos of my kids. This is just a personal thing for me. Probably am too protective of their privacy. But this is one of my little boy that I love. No great timing here to get the decisive moment; no just finger kept on the shutter to shoot in burst mode and then to later select that decisive moment. My little HCB shot.

October: James

November is a bit hard for me. I am torn between this, this and this, but have decided to choose this one in the end. The edited image is a little distant from the original, but I knew that in taking it I would be able to go on many creative routes with the photo.

November: Seoul

And this brings us to the end of a year of shot on iPhone photographs. Life is difficult when there is choice and truly I could have gone in so many different directions with these selections. In the end I opted for all colour, could just have easily gone all black and white as I love many of the photos I shot in black and white this year, particularly when shooting with Provoke.

So, here is it – the final image to make up my 12 favourite shot on iPhone photographs from 2017. A photograph shot in Dublin, and one which is part of my This gap between us will be filled with love or loss series.

December: Dublin

Thanks to all for your kind support throughout 2017.

Here’s to 2018 and the unexpected, the unimagined it will bring.

 

Posted in A Flickr Year, Best of year, iPhone, iPhone photography, James, Summer 2017, Travel Also tagged , , , , , , , , , , , , , , , |

Tokyo at night

A little series of images shot on my last trip to Tokyo, in and around Shibuya. All photographs made with Nikon D7000 and edited in Lightroom.

Tokyo: April, 2017 (Nikon D7000)

Tokyo: April, 2017 (Nikon D7000)

Tokyo: April, 2017 (Nikon D7000)

Tokyo: April, 2017 (Nikon D7000)

Tokyo: April, 2017 (Nikon D7000)

Tokyo: April, 2017 (Nikon D7000)

Tokyo: April, 2017 (Nikon D7000)

Tokyo: April, 2017 (Nikon D7000)

Tokyo: April, 2017 (Nikon D7000)

Tokyo: April, 2017 (Nikon D7000)

Tokyo: April, 2017 (Nikon D7000)

Tokyo: April, 2017 (Nikon D7000)

Posted in Brendan Ó Sé. Brendan Ó Sé photography, photograph posts, Street Photography, Travel Also tagged , , , , , , , , , , , , |

iPhone Portrait Mode

“But it’s not a real camera!”

2017, and we are still hearing that.

Bangkok -iPhone 7plus – Portrait Mode

At the recent 8 x 8 Street Photography Conference in Bangkok I gave a talk on how the limitations of the iPhone resulted in my experimenting and pushing things creatively. It was a fun talk, but a talk that had impact. One that got people thinking, and one that has encouraged people to embrace mobile shooting.

Galway – iPhone 7plus Portrait Mode

For me, moving from film to digital changed the way I shot simply because I was able to review the images immediately and shoot more. Result being I made more mistakes and I learnt more. But once I began to embrace shooting on the iPhone it changed the way I see; it changed the way I think. Why? Again, it is simple I went from a situation of having a camera – a big, heavy DSLR (that I love to this day) sitting in a drawer only taken out on occasion, to one where I had a camera with me 24/7. Gone were the times when I would see a scene and say to myself:

“Oh, I wish I had a camera with me.”

I always had a camera with me. And instead of passively happening upon photographic opportunities, I was now actively seeking them and actively creating them. I began to see, think and create photographically.

Bangkok – iPhone 7plus – Portrait Mode

Sure, there were limitations. Small sensor which meant poor quality images in low light. But this allowed me to experiment and create images like this in low light conditions.

iPhone 5 (2013)

No zoom? Ya, and that meant I had to zoom with my feet and get in close getting the shot. I also began to discover how perfect the small and discreet iPhone was for street work.

iPhone 4: 2012

A fixed lens? Again, this resulted in more considered compositions. More awareness of what to leave in and more importantly what to leave out of an image. When I look back now at the images I shot with the iPhone I can see how particular I was about composing images; the attention I gave to what I was photographing in an image, and what I was not photographing (what to omit) in a frame.

Tokyo – iPhone 6, 2015

No changeable lenses? Well, there are add-ons – great lenses like the Olloclip ones. But again, I did not want to use them straight up. No, I wanted to experiment and see what else they could do. Macro lens portraits? Ya, why not?

iPhone 6: 2016

And the latest imperfection that causes people to say: “But it’s not a real camera, though, is it?”

Portrait Mode is Apple’s attempt to mimic the bokeh effect that real cameras can achieve. It creates a depth-of-field effect blurring out background and making your subject in the foreground stand out. Can a phone camera really do that? Sure it can!

Tokyo – iPhone 7 plus Portrait Mode

Again, it is something I can achieve with so much more ease on my Fuji or my Nikon, but for some reason it feels differently on those cameras. Working in Portrait Mode with the iPhone is frustrating. You get notifications from the camera telling you to move closer, mover further away, place your subject within 2.5 metres until the DEPTH EFFECT in bright yellow appears. I imagine in years to come we will look back at these notifications and marvel at them. For now, it is slow. It is frustrating. It is hard to use in low light. But here’s the thing: because it slows you down, you become more considered about composition paying more attention to what to leave in and what to leave out of the shot. You become more deliberate about getting things in focus to achieve that depth-of-field bokeh effect.

Seoul – iPhone 7plus – Portrait Mode

And it has changed how I shoot on the street. It brings me closer to the those I am photographing. I have to get close and I have to slow down. Where before I was in close but I was on the move, now I am close but I am with them. This has meant a change. Before I would rarely talk with people on the street. Sure, I would exchange a smile, at most a small few words. Now, I find I am engaging, exploring, getting to know the people I am making portraits of. I could not have imagined this before getting the iPhone 7 plus.

Tokyo – iPhone 7plus – Portrait Mode

Take this one encounter from last Saturday’s MojoCon photo walk in Galway. I saw this man approach. Before I would have slalomed towards him, got in close and shot a burst of images, not looked back and carried on to the next character who caught my attention. This time, I went up to him, introduced myself and asked if I could take his photo (I think the make your portrait or take your portrait thing is nonsense – it is not the collocation of words – it is how something is said and the manner it is said). Sure, he said. I thanked him and began to compose the frame. I told him I was from Cork, up in Galway for a conference and asked him where he was from. He was from Oranmore, about 10 miles from Galway. He had come up by bus. Usually did, he said, on a Saturday afternoon. What did he like to do here, I asked. Place a few bets, have a few pints. Today was a bad day, he said. He had lost and he now had time to kill before he headed back to Oranmore, but at least it was a fine day. Did I like Galway, he asked. I told him I did. I showed him the photos. He nodded his head as he looked at them. I thanked him. We shook hands.

Galway – iPhone 7plus – Portrait Mode

It is a departure for me to engage so much with people on the street. I never had much problem getting in close to get the shot, but I was, could I say shy or even embarrassed to engage with people. Shooting on Portrait Mode has caused me to slow down – focussing takes time – it is frustrating and you do miss shots. But on the plus side it results in a new, fresh approach in street photography for me and it is invigorating.

 

Galway – iPhone 7 plus – Portrait Mode  

But it’s not a real camera, ya? No, it is so much more than that. It’s a wonderful springboard for creativity and experimentation, fun and learning. Embrace its limitations.

Kiss the future…

Posted in Brendan Ó Sé. Brendan Ó Sé photography, Inspiration, iPhone, Photo Talks, Street Photography Also tagged , , , , , , , , , , , , |

My favourite iPhone photographs of 2016

2016 was another great year for my photography. I had some wonderful opportunities to travel and shoot in places like Singapore, Bangkok, Jakarta, Tokyo, Kyoto, Vienna, Hong Kong, Delhi, Ladakh, Varanasi, Mumbai, Seoul, Daegu, Shanghai, Dublin and of course, Cork. Thousands and thousands of photographs shot on iPhone 6s, 7 plus, Fuji X100T, Nikon D7000 and Sony Xperia Z5.

It has become customary for me to select my favourite photographs of the year over the past number of years. It is something I have really enjoyed, but it is time consuming. Christmas can be a good time for this, or as I have found this year it can be the worst. All I want to do is chill out, watch TV, play with kids and eat and sleep. Oh and drink a little too.

Each morning I wake up and say today will be the day I get it done and each night I find myself saying: Tomorrow, tomorrow, I’ll do it.

So, tomorrow has arrived, the year has almost ended and it is time to present my favourite iPhone photographs of 2016.

January

I rarely post photographs of family. Am protective of their privacy. This one, shot with the Olloclip macro lens is one that I particularly like. My wife is a patient woman. I know, if roles were reversed,  I would never wait while she tries to get the shot. Full series here.

January, 2016

February

This photograph, shot in the Glucksman gallery in Cork, is one I use in workshops to demonstrate the need to examine the borders of your images when composing your shots. I was focussing on the girl in foreground and her reflection when I saw this man appear in the top left. With a quick reconfiguring, I got him into the frame and adds a little more to the shot.

February, 2016

March

March was magical. Invited by Monogram Asia to come to Singapore, Bangkok and Jakarta to present my photography was an incredible opportunity. I met some truly wonderful people on the trip and made lasting friendships. This shot was taken on the docks in Jakarta. These workers were taking a short break. More here.

March, 2017

April

Blur will save the world, you know. But I still don’t know how. This shot is the result of frustration. Image stabilisation has improved so much on iPhones. I just can’t blur like I used to. But with the Olloclip Studio case and its lanyard holding the iPhone safely I violently swooped and shot in burst mode to get this shot. You can see the whole series here.

April, 2016

May

This is where I begin to cheat a little and choose images that were not taken in the actual month. This is another from Tokyo in April. I have a series of images of people in transport, shot through glass to create layers, distortion and reflection. This bus driver was stopped at the lights in Shibuya and standing in front of him I saw it appear. I knew at the moment of shooting that I would convert it to black and white.

May, 2016

June

Vienna! What a beautiful city. Enjoyed shooting there a lot, especially as I had beautiful summer sunshine for my stay there. This shot is one I waited for. Attracted by the zig-zag reflections of the sun slipping down the metro steps, I knew someone stepping into the scene would add to it. Patience meets luck.

June, 2016

July
There are so many iPhone images I could chose from my trip to India in July, but the one I am going for is this one from Delhi. Images have to have different entry points to work for me. I like this one because of this.

July, 2016

August
Shanghai! Again, many I could choose from but the one I have gone for is this one shot on the Shanghai subway. There is something beautiful about photography that allows for connections. Eye contact is something I try to get in images. It engages the viewer, I think, but what I like about it is the split second of contact created between the person in the frame and myself. There are times it is electrifying.

August, 2016

September

Another image from Tokyo. Sometimes things just appear in front of you and when you see them it is too late. Other times, things will wait. Then you get lucky. So much of photography is luck. Luck and patience.

September, 2016

October
I was so happy when my kids told me their happiest memory from the summer was going to the river with me in the evenings just before the sun set, when the day’s heat had cooled. They would play in the water and I would try to get photographs or I would just sit and watch them be little kids enjoying summer. This shot was after a torrential downpour. They loved jumping over the puddles and I loved it too.

October, 2016

November
iPhone 7 plus. Dublin. Sunshine on a graffitied wall. Wait for someone to enter the frame and snap.

November, 2016

December
And back to Cork for the last one. Comparatively, I don’t shoot a lot in Cork. I tend to store it all up and shoot intensively when away from home. There is something freer about being off home turf. In saying that, I have projects about Cork on the go and quite possibly these will become much more personal and precious to me as the years pass. This is another shot of reflections. Another instance of patience.

December, 2016

2016 has been incredible to me. So many people to thank. So many people who along the way who have in some way enabled me to express myself. In no particular order I would like to thank Ben, Elfie, Saad, Arik, Andy, Nikki, Glen, Dan R, Dan B, Simon, Jack H, Judie, Ankit, John, Mark, Brian, David P, Albion, Thomas, Serap, Jen, Teppo, Cielo, Laurence, Tadhg, Michael V, Darren, Joanne, Janine, Nora, Sir Cam, Paul M, Tim B, Johnathan, Lee, Ruby,  Kevin D, Randy, Dave, Brian, Kieran, Richard and Seiya. And then those loved ones who know who they are – thanks!

2016 – My favourite iPhone photographs

2017 – believe – achieve – kiss the future…

Posted in A Flickr Year, Brendan Ó Sé. Brendan Ó Sé photography, Inspiration, iPhone 6s, iPhone photography, My own favourite photographs, Street Photography Also tagged , , , , , , , , , , , , |

Colour or Black and White

Sometimes I am stuck. Both look good, but you dilute by posting both. Choose one. Black and white more often than not wins out.

Here are some recent shots that I loved both in colour and black and white, but ultimately only posted one version. All shot in Shibuya, Tokyo on a Nikon D7000.

Which do you prefer?

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Shibuya: April, 2016 (Black and white)

Shibuya: April, 2016 (Black and white)

Shibuya: April, 2016 (Colour)

Shibuya: April, 2016 (Colour)

Shibuya: April, 2016 (Black and white)

Shibuya: April, 2016 (Black and white)

Shibuya: April, 2016 (Colour)

Shibuya: April, 2016 (Colour)

Shibuya: April, 2016 (Black and white)

Shibuya: April, 2016 (Black and white)

Posted in Brendan Ó Sé. Brendan Ó Sé photography, photograph posts, Street Photography Also tagged , , , , , , , , , , , , |

Shibuya, Shibuya

I read once, that those you see in your dreams are those you have seen in real life. Those passersby whose faces may never have registered with you, but somehow make their way in and resurface in dreams. Makes some sense, doesn’t it? The shutter of the eye snapping relentlessly and searing them to memory and they seeping into dreams.

Tokyo

Tokyo

How many people have I passed in my life, I wonder? How many faces? Millions perhaps. Sufficient stock for endless dreams, no doubt.

Shibuya

Shibuya

Tokyo is a bit like that with the Shibuya Scramble Crossing. In any given time up to two thousand people cross. Two thousand faces. There is about a four to five minute interval between the red man and the green man at the crossing. With the green man, there are two minutes for those two thousand people to hurry across. The waiting crowd swells and surges as soon as the green man signals. It is an electrifying feeling to be amongst it.

Shibuya

Shibuya

It is endlessly engaging in Shibuya.

Shibuya

Shibuya

Shibuya

Shibuya

Shibuya

Shibuya

So many faces.

Shibuya

Shibuya

Shibuya

Shibuya

Shibuya

Shibuya

Shibuya

Shibuya

Shibuya

Shibuya

Shibuya

Shibuya

Shibuya

Shibuya

Posted in photograph posts, Street Photography Also tagged , , , , , , , , , , , , , , , , |

Workflow

How to work out a workflow for thousands images?

Yes, that is right, I have thousands and thousands of images all shot over the past 5 months in Singapore, Bangkok, Jakarta, Toyko, Cork, Dublin, Vienna, Bratislava, Hong Kong, Delhi, Leh, Varanasi, Mumbai, Seoul, Daegu, Geochang, Shanghai and Jeju island.

Thousands of images shot on four different cameras: mainly iPhone, then Fuji X100t, Nikon D7000, and then some on a Sony Xperia Z5.

Where to begin?

Tokyo

I have series in mind, sure. Have begun on some of them already. But the main problem I have is storage. I back everything up numerous times: Google Photos, Flickr, MacBook, external harddrives. But the main devices I use are my iMac and iPhone for storage and, more importantly, editing. And I am constantly getting notifications of Storage Almost Full.

What to do? It took the best part of three days to get all the images (and videos) off the devices and on to the iMac. Before doing this, I had to delete over 100 gigs of photos just to free up space. And I am still nearing capacity on a 1.2tb on the iMac.

The way I like to organise things is like this: I import all photos onto iPhoto. I like the way it creates events and I can give them titles. It is easy to find images from certain locations then.

Then I go through the selection process of choosing (non iPhone – all of those are done on the iPhone) images to edit. The ones I like, I drag over to Lightroom and do the editing there. From that there is another selection process for images to post to my various social media platforms.

This is the way I have worked for years, and there probably are better ways to organise it all, but people do what they are used to doing.

One of my favourite quotes is this:

“Reduce Everything You Want to Do to an Action You Can Do Right Now.” Jason Randal

And for me it is this blog post. This articulation of what I am feeling. It clears a little space – just like deleting gigs on the computer – and allows me to take the next little step.

My father gave me the best advice in life: Don’t be afraid to ask for advice. Very often I feel I should have the answers myself; that I should be able to cope, and that perhaps asking for help or advice is an admission of failing. It is not.

My wife gives me the good advice.

I asked her. I said: I do not know where to start. I have too many images.

She said: What is your favourite place that you have been in the past five moths?

I said: Tokyo.

She said: Start there.

I am starting.

Imitation

Imitation

 

Posted in Brendan Ó Sé. Brendan Ó Sé photography, Daily posts to Flickr, iPhone 6s, iPhone photography, My own favourite photographs, Street Photography Also tagged , , , , , , , , , , , , , , |

Pompidoo: A great camera bag

When Pompidoo Bags invited me to do some work with them, I jumped at the chance.

High up in the Himalayas with the Pompidoo Tokyo bag. (photo: Richard Delanty)

High up in the Himalayas with the Pompidoo Tokyo bag. (photo: Richard Delanty)

Straight up I am not a fan of those big bulky traditional camera bags with logos splashed across them. I have inspected some of them in camera stores and they’ve always struck me as being just too cumbersome and even a little ugly.

In action in Hong Kong (Photo: Y Ó Se)

In action in Hong Kong
(Photo: Y Ó Se)

I tended to opt instead for a messenger style bag; one that fits comfortably. Sure they are not designed for cameras, but you can get a camera into them. However, when I saw the range of bags from Pompidoo, I knew these were bags designed by people who have the awareness of the needs of a photographer and the creative ability to come up with a bag that actually is functional and stylish.

In action in Hong Kong

In action in Hong Kong

Being on a trip in Asia in the past few weeks, I have used the Tokyo bag (I just got to love the name!) all the time. From Hong Kong to high up in Himalayas to the streets of Seoul it has been with me. What I love about the bag is that it is not flashy. For the type of photography I do, the last thing I need is to look like a photographer. The aged-looking raw leather is soft and even if it does pick up a scratch or two along the way it will only add to the look. The bag is minimal in style. There are two compartments which easily accommodate my Nikon D7000 and my Fuji X100T. There is a front pocket which is perfect for other accessories like extra batteries, chargers, SD cards and so on. The high-quality European production is built to last and serve you through the years.

IMG_3386

Inner compartments of the Pompidoo Tokyo bag

Inner compartments of the Pompidoo Tokyo bag

The padded inserts in the bag offer reassurance when packing my suitcase. I can just put my gear into the bag and the bag into my suitcase. No need for bubble wrapping like I used to do before.

All in all, the bag has two things which are winners for me: It doesn’t look like one of those flashy, hey-I’m-a-photographer-with-a-big-bag-of-gear bags; no it is discreet and stylish. And the second thing is that it is that it does the job.

So, if you are like me, that you do not want to be a walking advert for a company with a big, bulky camera bag, Pompidoo’s Tokyo bag is for you. Check them out.

Pompidoo offer a range of stylish and functional camera bags on their online store. Go check them out and if you like one, here is a 10% discount codeBrendan10%. It is valid until August 31, 2016.

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Posted in Brendan Ó Sé. Brendan Ó Sé photography, photograph posts Also tagged , , , , , , , , , , , , , |

Tokyo: Blur will save the world

Which of these photographs are iPhone 6s and which are Nikon D7000?

Imitation series: Tokyo, April 2016. Images shot on iPhone 6s and Nikon D7000. All edited on Snapseed on iPhone.

Tokyo: Blur will save the world

Tokyo: Blur will save the world

Tokyo: Blur will save the world

Tokyo: Blur will save the world

Tokyo: Blur will save the world

Tokyo: Blur will save the world

Tokyo: Blur will save the world

Tokyo: Blur will save the world

Tokyo: Blur will save the world

Tokyo: Blur will save the world

Tokyo: Blur will save the world

Tokyo: Blur will save the world

Tokyo: Blur will save the world

Tokyo: Blur will save the world

Tokyo: Blur will save the world

Tokyo: Blur will save the world

Tokyo: Blur will save the world

Tokyo: Blur will save the world

Tokyo: Blur will save the world

Tokyo: Blur will save the world

Tokyo: Blur will save the world

Tokyo: Blur will save the world

Tokyo: Blur will save the world

Tokyo: Blur will save the world

Posted in iPhone, photograph posts, Street Photography Also tagged , , , , , , , , , , , |

Japan

I was on a business trip to Japan last week and while I spent most of my time in Tokyo, I also travelled to a remote area called Shonai. When I was asked by others in Japan of where else I was visiting very few knew of this location.

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I took a flight from Tokyo’s Haneda airport – the city’s second airport. Now you would imagine that a place that is relatively unknown and, as I would later discover, only have a population of about 11,000 people would not be serviced by regular flights. But no, there are several flights each day and on the outward and return flight, both were full to capacity.

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Flying into Shonai, it was hard not to be impressed by the beauty of the snow-capped mountains. Having coming from the hustle and bustle of Tokyo, I was struck by calm and beauty of the location as we made our way to the university, some 20 km from the airport.

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Before returning to the airport in the evening for my flight back to Tokyo, I had a little time to take a short walk to the river bank near the university. The air was fresh and crisp and the only sounds were those of birds chattering and the wind blowing in the trees. When I am away from home, I really try hard to make myself take in the reality of my surroundings. Time passes so quickly and often I find myself looking back and thinking: “Was I actually there?”

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An hour from landing in Tokyo, I was back in Shibuya, back on the crossing. Again, I stopped to make myself take it all in and I could not help but feel that I had dreamt being out in the wilds of nature that afternoon.

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Posted in iPhone, photograph posts Also tagged , , , , , , , , , , , , |